The Grundrisse is widely regarded as one of Marx's most important texts, with many commentators claiming it is the centrepiece of his entire oeuvre. It is also, however, a notoriously difficult text to understand and interpret. In this - the first guide and introduction to reading the Grundrisse - Simon Choat helps us to make sense of a text that is both a first draft of Capital and a major work in its own right. As well as offering a detailed commentary on the entire text, this guide explains the Grundrisse's central themes and arguments and highlights its impact and influence. The Grundrisse's discussions of money, labour, nature, freedom, the role of machinery, and the development and dynamics of capitalism have influenced generations of thinkers, from Anglo-American historians such as Eric Hobsbawm and Robert Brenner to Continental philosophers like Antonio Negri and Gilles Deleuze, as well as offering vital insights into Marx's methodology and the trajectory of his thought. Contemporary examples are used throughout this guide both to illuminate Marx's terminology and concepts and to illustrate the continuing relevance of the Grundrisse. Readers will be offered guidance on: -Philosophical and Historical Context -Key Themes -Reading the Text -Reception and Influence

On ne peut penser les Lumieres sans l'auteur du Contrat social et l'Emile, mais on ne saurait cependant nier que Rousseau denonce les 'philosophes modernes' dans les termes les plus forts. Comment donc penser les rapports entre Rousseau et les philosophes? Dans ce volume les specialistes de Rousseau vont au-dela des oppositions figees. Ils montrent comment le 'citoyen de Geneve', a partir de sources philosophiques partagees avec ses contemporains, delimite le champ de la raison et construit une pensee politique rigoureuse, s'imposant ainsi a ceux qui souvent rejettent ses idees religieuses ou sa denonciation des sciences et des arts. Confrontant la richesse irreductible de ses ecrits, les auteurs proposent le portrait intellectuel d'un homme qui construit sa pensee a la fois avec et contre les philosophes, les obligeant a justifier ou a modifier leurs propres convictions face au defi que represente son oeuvre. Figure emblematique de son siecle, Rousseau suscite l'indignation mais oblige aussi a des reexamens difficiles. C'est par l'etude de cette position a la fois centrale et marginale que l'on peut saisir la force de sa pensee et discerner ce qu'elle signifie pour nous.

Packaged in handsome, affordable trade editions, Clydesdale Classics is a new series of essential works. From the musings of intellectuals such as Thomas Paine in Common Sense to the striking personal narrative of Harriet Jacobs in Incidents in the Life of a Slave Girl, this new series is a comprehensive collection of our intellectual history through the words of the exceptional few. Originating in approximately 380 BC, Republic is a Socratic dialogue written by famed Greek philosopher Plato. Often referred to as Plato's masterwork, Republic's central goal is to define the ideal state. By conceptualizing this model state, Greeks believed it would lead states formed with its principles in mind to function the most efficiently and fairly, striving toward justice and the greater good of society. This edition includes a foreword by British American philosopher and Plato expert Simon Blackburn. Widely read around the world by philosophy students and academics alike, Plato's Republic is sure to pass on its invaluable lessons and enlighten the next generation of thinkers.

'Women seem to be destined solely for our pleasure. When they no longer have that attraction, they have lost everything' (letter from Diderot to Sophie Volland, 1762). How typical was this view of the 'older woman' in the eighteenth century? What was it like for women of intelligence and sensibility to grow old in such a culture? By studying the correspondences of four prominent women (Francoise de Graffigny, Marie Du Deffand, Marie Riccoboni and Isabelle de Charriere) during their middle and late years, Stewart explores the relation of female aging to respectability, sexuality and power. The author's focus lies in the physical, emotional and professional well-being of middle-aged and elderly women during a time when all the available dignity of age seemed to belong to men. The 'repulsiveness' of growing old was patently a female issue. One of the most emblematic aspects of these correspondences is the often unrequited love of older women for younger men during a period when the common wisdom denied women the right to any feelings except piety. Stewart juxtaposes their letters with representations of aging women in the period's fictional and medical literature. She takes up several canonical, mostly male-authored, texts that purvey this common wisdom, and re-reads them with originality and grace. Through The Enlightenment of age - at once learned, highly personal and entertaining - Stewart speaks to us about the secret lives of older women, and about the ethos of an era.

Bare Architecture: a schizoanalysis, is a poststructural exploration of the interface between architecture and the body. Chris L. Smith skilfully introduces and explains numerous concepts drawn from poststructural philosophy to explore the manner by which the architecture/body relation may be rethought in the 21st century. Multiple well-known figures in the discourses of poststructuralism are invoked: Gilles Deleuze and Felix Guattari, Roland Barthes, Georges Bataille, Maurice Blanchot, Jorges Luis Borges and Michel Serres. These figures bring into view the philosophical frame in which the body is formulated. Alongside the philosophy, the architecture that Smith comes to refer to as 'bare architecture' is explored. Smith considers architecture as a complex construction and the book draws upon literature, art and music, to provide a critique of the limits, extents and opportunities for architecture itself. The book considers key works from the architects Douglas Darden, Georges Pingusson, Lacatan and Vassal, Carlo Scarpa, Peter Zumthor, Marco Casagrande and Sami Rintala and Raumlabor. Such works are engaged for their capacities to foster a rethinking of the relation between architecture and the body.

Why were Chinese and Indian ways of thinking excluded from European philosophy in early modern times? This is a study of what happened to the European understanding of China and India between the late 16th century and the first half of the 18th century. Investigating the description of these two Asian civilizations during a century and a half of histories of philosophy, this book accounts for the change of historiographical paradigms, from Neoplatonic philosophia perennis and Spinozistic atheism to German Eclecticism. Uncovering the reasons for inserting or excluding Chinese and Indian ways of thinking within the field of Philosophy in early modern times, it reveals the origin of the Eurocentric understanding of Philosophy as a Greek-European prerogative. By highlighting how this narrowing and exclusion of non-Western ways of thought was a result of conviction of superiority and religious prejudice, this book provides a new way of thinking about the place of Asian traditions among World philosophies.

Hegel's Philosophy of Right has long been recognized as the only systematic alternative to the dominant social contract tradition in modern political philosophy. Dean Moyar here takes on the difficult task of reading and representing Hegel's view of justice with the same kind of intuitive appeal that has made social contract theory, with its voluntary consent and assignment of rights and privileges, such an attractive model. Moyar argues that Hegelian justice depends on a proper understanding of Hegel's theory of value and on the model of life through which the overall conception of value, the Good, is operationalized. Closely examining key episodes in Phenomenology of Spirit and the entire Philosophy of Right, Moyar shows how Hegel develops his account of justice through an inferentialist method whereby the content of right unfolds into increasingly thick normative structures. He asserts that the theory of value that Hegel develops in tandem with the account of right relies on a productive unity of self-consciousness and life, of pure thinking and the natural drives. Moyar argues that Hegel's expressive account of the free will enables him to theorize rights not simply as abstract claims, but rather as realizations of value in social contexts of mutual recognition. Moyar shows that Hegel's account of justice is a living system of institutions centered on a close relation of the economic and political spheres and on an understanding of the law as developing through practices of public reason. Moyar defends Hegel's metaphysics of the State as an account of the sovereignty of the Good, and he shows why Hegel thought that philosophy needs to offer an account of world history and reformed religion to buttress the modern social order.

Charting a genealogy of the modern idea of the self, Felix O Murchadha explores the accounts of self-identity expounded by key Early Modern philosophers, Montaigne, Descartes, Pascal, Spinoza, Hume and Kant. The question of the self as we would discuss it today only came to the forefront of philosophical concern with Modernity, beginning with an appeal to the inherited models of the self found in Stoicism, Scepticism, Augustinianism and Pelagianism, before continuing to develop as a subject of philosophical debate. Exploring this trajectory, The Formation of the Modern Self pursues a number of themes central to the Early Modern development of selfhood, including, amongst others, grace and passion. It examines on the one hand the deep-rooted dependence on the divine and the longing for happiness and salvation and, on the other hand, the distancing from the Stoic ideal of apatheia, as philosophers from Descartes to Spinoza recognised the passions as essential to human agency. Fundamental to the new question of the self was the relation of faith and reason. Uncovering commonalities and differences amongst Early Modern philosophers, O Murchadha traces how the voluntarism of Modernity led to the sceptical approach to the self in Montaigne and Hume and how this sceptical strand, in turn, culminated in Kant's rational faith. More than a history of the self in philosophy, The Formation of the Modern Self inspires a fresh look at self-identity, uncovering not only how our modern idea of selfhood developed but just how embedded the concept of self is in external considerations: from ethics, to reason, to religion.

In a "return" to Edmund Husserl and Sigmund Freud, Intimacy and the Anxieties of Cinematic Flesh explores how we can engage these foundational thinkers of phenomenology and psychoanalysis in an original approach to film. The idea of the intimate spectator caught up in anxiety is developed to investigate a range of topics central to these critical approaches and cinema, including: flesh as a disruptive state formed in the relationships of intimacy and anxiety; time and the formation of cinema's enduring objects; space and things; the sensual, the "real" and the unconscious; wildness, disruption, and resistance; and the nightmare, reading "phantasy" across the critical fields. Along with Husserl and Freud, other key thinkers discussed include Edith Stein, Roman Ingarden, Maurice Merleau-Ponty, Mikel Dufrenne in phenomenology; Melanie Klein, Ernest Jones, Julia Kristeva, and Rosine Lefort in psychoanalysis. Framing these issues and critical approaches is the question: how might Husserlian phenomenology and Freudian/Lacanian psychoanalysis, so often seen as contradistinctive, be explored through their potential commonalities rather than differences? In addressing such a question, this book postulates a new approach to film through this phenomenological/psychoanalytic reconceptualization. A wide range of films are examined not simply as exemplars, but to test the idea that cinema itself can be a version of critical thinking.

Before he had even conceived of the Decline and fall of the Roman Empire there was another Edward Gibbon, a young expatriate living in Switzerland and writing in French. In the Essai, a work of remarkable erudition and energy completed by the age of twenty-one, Gibbon reflects on the present state of knowledge in post-Renaissance Europe - what he calls litterature. The first publication of the Essai since 1761, this critical edition sets Gibbon's work in its intellectual context. A detailed introduction examines the biographical, cultural and historical background to this text: the young writer's perception of European intellectual life as he observed it from Lausanne, his relation to the Encyclopedie and the French academies, the fate of erudition, and the modern organization of learning in books. An extensive commentary completes this edition, providing invaluable annotation of each chapter, including the important but little-known sections on religion that were replaced by Gibbon in the final text. As current debates revisit the meaning of Enlightenment, readers will find in this edition of Gibbon's Essai a new approach to the intellectual networks and tensions that lie at its heart.

Julia Kristeva has revolutionized the study of modernism by developing a theoretical approach that is uniquely attuned to the dynamic interplay between, on the one hand, linguistic and formal experimentation, and, on the other hand, subjective crisis and socio-political upheaval. Inspired by the contestatory spirit of the late 1960s in which she emerged as a theorist, Kristeva has defended the project of the European avant-gardes and has systematically attempted to reclaim their legacy in the new societal structures produced by a global, spectacle-dominated capitalism. Understanding Kristeva, Understanding Modernism brings together essays that take up the threads in Kristeva's analyses of the avant-garde, offering an appreciation of her overall contribution, the intellectual and political horizon within which she has produced her seminal works as well as of the blind spots that need to be acknowledged in any contemporary examination of her insights. As with other volumes in this series, this volume is structured in three parts. The first part provides new readings of key texts or central aspects in Kristeva's oeuvre. The second part takes up the task of showing the impact of Kristeva's thought on the appreciation of modernist concerns and strategies in a variety of fields: literature, philosophy, the visual arts, and dance. The third part is a glossary of some of Kristeva's key terms, with each entry written by an expert contributor.