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Books > Philosophy > Western philosophy
A founding figure of German idealism, Johann Gottlieb Fichte
(1762-1814) developed a radically new version of transcendental
idealism. The Bloomsbury Handbook of Fichte follows his
intellectual life and presents a comprehensive overview of Fichte's
dynamic philosophy, from his engagement with Kant to his rigorously
systematic and nuanced Wissenschaftslehre and beyond. Covering a
variety of topics and issues in epistemology, ontology, moral and
political philosophy, as well as philosophy of right and philosophy
of religion, an international team of experts on Fichte explores
his important contributions to philosophy. Arranged
chronologically, their chapters map Fichte's intellectual and
philosophical development and the progression of his thought,
identifying what motivated his philosophical inquiry and revealing
why his ideas continue to shape discussions today. Alongside
wide-ranging chapters advancing new insights into Fichte, there are
topical discussions of conceptions and issues central to his
philosophy. Featuring a chronology of Fichte's life, as well as a
timeline of his publications and lectures, this is an invaluable
research resource for all Fichte scholars and a reliable guide for
anyone undertaking a study of Fichte and German idealism.
Nietzsche's famous attack upon established Christianity and
religion is brought to the reader in this superb hardcover edition
of The Antichrist, introduced and translated by H.L. Mencken. The
incendiary tone throughout The Antichrist separates it from most
other well-regarded philosophical texts; even in comparison to
Nietzsche's earlier works, the tone of indignation and conviction
behind each argument made is evident. There is little lofty
ponderousness; the book presents its arguments and points at a
blistering pace, placing itself among the most accessible and
comprehensive works of philosophy. The Antichrist comprises a total
of sixty-two short chapters, each with distinct philosophical
arguments or angle upon the targets of Christianity, organised
religion, and those who masquerade as faithful but are in actuality
anything but. Pointedly opposed to notions of Christian morality
and virtue, Nietzsche vehemently sets out a case for the faith's
redundancy and lack of necessity in human life.
The mid-eighteenth century witnessed a particularly intense
conflict between the Enlightenment philosophes and their enemies,
when intellectual and political confrontation became inseparable
from a battle for public opinion. Logan J. Connors underscores the
essential role that theatre played in these disputes. This is a
fascinating and detailed study of the dramatic arm of France's war
of ideas in which the author examines how playwrights sought to win
public support by controlling every aspect of theatrical production
- from advertisements, to performances, to criticism. An expanding
theatre-going public was recognised as both a force of influence
and a force worth influencing. By analysing the most indicative
examples of France's polemical theatre of the period, Les
Philosophes by Charles Palissot (1760) and Voltaire's Le Cafe ou
L'Ecossaise (1760), Connors explores the emergence of spectators as
active agents in French society, and shows how theatre achieved an
unrivalled status as a cultural weapon on the eve of the French
Revolution. Adopting a holistic approach, Connors provides an
original view of how theatre productions 'worked' under the ancien
regime, and discusses how a specific polemical atmosphere in the
eighteenth century gave rise to modern notions of reception and
spectatorship.
Wilfrid Sellars, Idealism, and Realism is the first study of its
kind to address a range of realist and idealist views inspired by
psychological nominalism. Bringing together premier analytic
realists and distinguished defenders of German idealism, it reveals
why psychological nominalism is one of the most important theories
of the mind to come out the 20th century. The theory, first put
forward by Wilfrid Sellars, argues that language is the only means
by which humans can learn the types of socially shared practices
that permit rationality. Although wedded to important aspects of
German idealism, Sellars' theory is couched in bold realist terms
of the analytic tradition. Those who are sympathetic to German
idealism find this realist's appropriation of German idealism
problematic. Wilfrid Sellars, Idealism and Realism thus creates a
rare venue for realists and idealists to debate the epistemic
outcome of the mental processes they both claim are essential to
experience. Their resulting discussion bridges the gap between
analytic and continental philosophy. In providing original and
accessible chapters on psychological nominalism, this volume raises
themes that intersect with numerous disciplines: the philosophy of
mind, philosophy of language, epistemology, and metaphysics. It
also provides clarity on arguably the best available account of why
humans can reason, be self-aware, know, and act as agents.
The German-Austrian social theorist and philosopher Leo Kofler
(1907-1995) represents what Oskar Negt once called 'unmutilated,
living Marxism'. Throughout his life he dealt with issues of
history and modernity, Marxist philosophy and the critique of
ideology, philosophical anthropology and aesthetics. In this
volume, author and Kofler biographer Christoph Junke elucidates the
contours of his philosophy of praxis, traces an arc from the
socialist classics to postmodernism, and outlines the socialist
humanist thinker's enduring relevance. The book also includes six
essays by Leo Kofler published in English for the first time. The
main work was first published in German as Leo Koflers Philosophie
der Praxis: Eine Einfuhrung in sein Denken by Laika Verlag, 2015,
ISBN 978-944233-33-8. Copyright by Laika Verlag.
Marian Hobson's work has made a seminal contribution to our
understanding of the European Enlightenment, and of Diderot and
Rousseau in particular. This book presents her most important
articles in a single volume, translated into English for the first
time. Hobson's distinctive approach is to take a given text or
problematique and position it within its intellectual, historical
and polemical context. From close analysis of the underlying
conceptual structures of literary texts, she offers a unique
insight into the vibrant networks of people and ideas at work
throughout Europe, and across disciplinary boundaries as diverse as
literature and mathematics, medicine and music. In their
translations of Hobson's essays, Kate Tunstall and Caroline Warman
present the primary sources in both the original eighteenth-century
French and modern English, making the detail of these debates
accessible to everyone, from the specialist to the student,
whatever their academic discipline or interest.
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This book offers the first comprehensive evaluation of ethics in
the ancient Greek novel, demonstrating how their representation of
the cardinal virtue sophrosune positions these texts in their
literary, philosophical and cultural contexts. Sophrosune
encompasses the dispositions and psychological states of
temperance, self-control, chastity, sanity and moderation. The
Greek novels are the first examples of lengthy prose fiction in the
Greek world, composed between the first century BCE and the fourth
century CE. Each novel is concerned with a pair of beautiful,
aristocratic lovers who undergo trials and tribulations, before a
successful resolution is reached. Bird focuses on the extant
examples of the genre (Chariton’s Callirhoe, Xenophon of
Ephesus’ Ephesiaca, Longus’ Daphnis and Chloe, Achilles
Tatius’ Leucippe and Clitophon and Heliodorus’ Aethiopica),
which all have the virtue of sophrosune at their heart. As each
pair of lovers strives to retain their chastity in the face of
adversity, and under extreme pressure from eros, it is essential to
understand how this virtue is represented in the characters within
each novel. Invited modes of reading also involve sophrosune, and
the author provides an important exploration of how sophrosune in
the reader is both encouraged and undermined by these works of
fiction.
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