What is given to us in conscious experience? The Given is an attempt to answer this question and in this way contribute to a general theory of mental content. The content of conscious experience is understood to be absolutely everything that is given to one, experientially, in the having of an experience. Michelle Montague focuses on the analysis of conscious perception, conscious emotion, and conscious thought, and deploys three fundamental notions in addition to the fundamental notion of content: the notions of intentionality, phenomenology, and consciousness. She argues that all experience essentially involves all four things, and that the key to an adequate general theory of what is given in experience-of 'the given'-lies in giving a correct specification of the nature of these four things and the relations between them. Montague argues that conscious perception, conscious thought, and conscious emotion each have a distinctive, irreducible kind of phenomenology-what she calls 'sensory phenomenology', 'cognitive phenomenology', and 'evaluative phenomenology' respectively-and that these kinds of phenomenology are essential in accounting for the intentionality of these mental phenomena.

In an age of internet scrolling and skimming, where concentration and attention are fast becoming endangered skills, it is timely to think about the act of reading and the many forms that it can take. Slow Philosophy: Reading Against the Institution makes the case for thinking about reading in philosophical terms. Boulous Walker argues that philosophy involves the patient work of thought; in this it resembles the work of art, which invites and implores us to take our time and to engage with the world. At its best, philosophy teaches us to read slowly; in fact, philosophy is the art of reading slowly - and this inevitably clashes with many of our current institutional practices and demands. Slow reading shares something in common with contemporary social movements, such as that devoted to slow food; it offers us ways to engage the complexity of the world. With the help of writers as diverse as Nietzsche, Wittgenstein, Woolf, Adorno, Levinas, Critchley, Beauvoir, Le Doeuff, Irigaray, Cixous, Weil, and others, Boulous Walker offers a foundational text in the emerging field of slow philosophy, one that explores the importance of unhurried time in establishing our institutional encounters with complex and demanding works.

Before he had even conceived of the Decline and fall of the Roman Empire there was another Edward Gibbon, a young expatriate living in Switzerland and writing in French. In the Essai, a work of remarkable erudition and energy completed by the age of twenty-one, Gibbon reflects on the present state of knowledge in post-Renaissance Europe - what he calls litterature. The first publication of the Essai since 1761, this critical edition sets Gibbon's work in its intellectual context. A detailed introduction examines the biographical, cultural and historical background to this text: the young writer's perception of European intellectual life as he observed it from Lausanne, his relation to the Encyclopedie and the French academies, the fate of erudition, and the modern organization of learning in books. An extensive commentary completes this edition, providing invaluable annotation of each chapter, including the important but little-known sections on religion that were replaced by Gibbon in the final text. As current debates revisit the meaning of Enlightenment, readers will find in this edition of Gibbon's Essai a new approach to the intellectual networks and tensions that lie at its heart.

The Grundrisse is widely regarded as one of Marx's most important texts, with many commentators claiming it is the centrepiece of his entire oeuvre. It is also, however, a notoriously difficult text to understand and interpret. In this - the first guide and introduction to reading the Grundrisse - Simon Choat helps us to make sense of a text that is both a first draft of Capital and a major work in its own right. As well as offering a detailed commentary on the entire text, this guide explains the Grundrisse's central themes and arguments and highlights its impact and influence. The Grundrisse's discussions of money, labour, nature, freedom, the role of machinery, and the development and dynamics of capitalism have influenced generations of thinkers, from Anglo-American historians such as Eric Hobsbawm and Robert Brenner to Continental philosophers like Antonio Negri and Gilles Deleuze, as well as offering vital insights into Marx's methodology and the trajectory of his thought. Contemporary examples are used throughout this guide both to illuminate Marx's terminology and concepts and to illustrate the continuing relevance of the Grundrisse. Readers will be offered guidance on: -Philosophical and Historical Context -Key Themes -Reading the Text -Reception and Influence

Although discredited by seventeenth-century scientists, temperament theory - which attributed human moods to the interaction of four distinct bodily fluids or 'humours' - was refashioned a century later to create a moral and physiological typology of social classes. This revival was the work of leading physiologists of the time, but the impact of their thinking extended far beyond medicine to embrace the history of ideas and, in particular, the representation of the human body in art. In this richly-illustrated book, Tony Halliday argues that matters of artistic representation were closely connected to medical and political discourses throughout the later eighteenth century, especially during the successive phases of the French Revolution. He explores the effects of the reworked theory of humours on visual representation, focusing on: the interaction of art and politics in debates about the visual portrayal of the 'new citizen' Antique notions of an ideal body and their transformation in contemporary art the concept of a new 'muscular' temperament, and its social, political and artistic implications the impact of certain works of art such as Bouchardon's statue of Cupid fashioning a bow from the club of Herculesand the unease they revealed in late eighteenth-century Europe about the relationship of character, appearance and occupation.

This reader makes the key essays of 19th century French philosopher Felix Ravaisson available in English for the first time. In recent years, Ravaisson has emerged as an extremely important and influential figure in the history of modern European philosophy. The volume contains the classic 1838 dissertation Of Habit, studies of Pascal, Stoicism and the wider history of philosophy together with the Philosophical Testament that he left unfinished when he died in 1900. The volume also features Ravaisson's work in archaeology, the history of religions and art-theory, and his essay on the Venus de Milo, which occupied him over a period of twenty years after he noticed, when hiding the statue behind a false wall in a dingy Parisian basement during the Franco-Prussian war, that it had previously been presented in a way that deformed its original bearing and meaning. Felix Ravaisson: Selected Essays contains an introductory intellectual biography of Ravaisson, which contextualises each of the essays in the volume. It also features an annotated bibliography of suggested further reading. This book will grant scholars and students alike wider access to his distinctive contribution to the history of philosophy.

Descartes and the 'Ingenium' tracks the significance of embodied thought (ingenium) in the philosophical trajectory of the founding father of dualism. The first part of the book defines the notion of ingenium in relation to core concepts of Descartes's philosophy, such as memory and enumeration. It focuses on Descartes's uses of this notion in methodical thinking, mathematics, and medicine. The studies in the second part place the Cartesian ingenium within preceding scholastic and humanist pedagogical and natural-philosophical traditions, and highlight its hitherto ignored social and political significance for Descartes himself as a member of the Republic of Letters. By embedding Descartes' notion of ingenium in contemporaneous medical, pedagogical, but also social and literary discourses, this volume outlines the fundamentally anthropological and ethical underpinnings of Descartes's revolutionary epistemology. Contributors: Igor Agostini, Roger Ariew, Harold J. Cook, Raphaele Garrod, Denis Kambouchner, Alexander Marr, Richard Oosterhoff, David Rabouin, Dennis L. Sepper, and Theo Verbeek.

Bernard Bolzano (1781-1850) is increasingly recognized as one of the greatest nineteenth-century philosophers. A philosopher and mathematician of rare talent, he made ground-breaking contributions to logic, the foundations and philosophy of mathematics, metaphysics, and the philosophy of religion. Many of the larger features of later analytic philosophy (but also many of the details) first appear in his work: for example, the separation of logic from psychology, his sophisticated understanding of mathematical proof, his definition of logical consequence, his work on the semantics of natural kind terms, or his anticipations of Cantor's set theory, to name but a few. To his contemporaries, however, he was best known as an intelligent and determined advocate for reform of Church and State. Based in large part on a carefully argued utilitarian practical philosophy, he developed a program for the non-violent reform of the authoritarian institutions of the Hapsburg Empire, a program which he himself helped to set in motion through his teaching and other activities. Rarely has a philosopher had such a great impact on the political culture of his homeland. Persecuted in his lifetime by secular and ecclesiastical authorities, long ignored or misunderstood by philosophers, Bolzano's reputation has nevertheless steadily increased over the past century and a half. Much discussed and respected in Central Europe for over a century, he is finally beginning to receive the recognition he deserves in the English-speaking world. This book provides a comprehensive and detailed critical introduction to Bolzano, covering both his life and works.