When the Romans adopted Greek literary genres, artistic techniques, and iconographies, they did not slavishly imitate their models. Rather, the Romans created vibrant and original literature and art. The same is true for philosophy, though the rich Roman philosophical tradition is still too often treated as a mere footnote to the history of Greek philosophy. This volume aims to reassert the significance of Roman philosophy and to explore the "Romanness" of philosophical writings and practices in the Roman world. The contributors reveal that the Romans, in their creative adaptation of Greek modes of thought, developed sophisticated forms of philosophical discourse shaped by their own history and institutions, concepts and values-and last, but not least, by the Latin language, which nearly all Roman philosophers used to express their ideas. The thirteen chapters-which are authored by an international group of specialists in ancient philosophy, Latin literature, and Roman social and intellectual history-move from Roman attitudes to and practices of philosophy to the great late Republican writers Cicero and Lucretius, then onwards to the early Empire and the work of Seneca the Younger, and finally to Epictetus, Apuleius, and Augustine. Using a variety of approaches, the essays do not combine into one grand narrative but instead demonstrate the diversity and originality of the Roman philosophical discourse over the centuries.

The present volume has grown out of the conference held at Princeton University on November 12-14, 2009. Its essays explore a coherent, interrelated nexus of topics that illuminate our understanding of the cultural transactions (social, political, economic, religious and artistic) of the Greek East and Latin West: unexpected cultural appropriations and forms of resistance, continuity and change, the construction and hybridization of traditions in a wide expanse of the eastern Mediterranean. Areas that the volume addresses include the benefits and liabilities of periodization, philosophical and political exchanges, monastic syncretism between the Orthodox and Catholic faiths, issues of romance composition, and economic currency and the currency of fashion as East and West interact. Contributors are Roderick Beaton, Peter Brown, Marina S. Brownlee, Giles Constable, Maria Evangelatou, Dimitri Gondicas, Judith Herrin, Elizabeth Jeffreys, Marc D. Lauxtermann, Stuart M. McManus, John Monfasani, Maria G. Parani, Linda Safran, Teresa Shawcross and Alan M. Stahl.

This is a unique collection presenting work by Alain Badiou and commentaries on his philosophical theories. It includes three lectures by Badiou, on contemporary politics, the infinite, cinema and theatre and two extensive interviews with Badiou - one concerning the state of the contemporary situation and one wide ranging interview on all facets of his work and engagements. It also includes six interventions on aspects of Badiou's work by established scholars in the field, addressing his concept of history, Lacan, Cinema, poetry, and feminism; and four original essays by young and established scholars in Australia and New Zealand addressing the key concerns of Badiou's 2015 visit to the Antipodal region and the work he presented there. With new material by Badiou previously unpublished in English this volume is a valuable overview of his recent thinking. Critical responses by distinguished and gifted Badiou scholars writing outside of the European context make this text essential reading for anyone interested in the development and contemporary reception of Badiou's thought.

Modern Conspiracy attempts to sketch a new conception of conspiracy theory. Where many commentators have sought to characterize conspiracy theory in terms of the collapse of objectivity and Enlightenment reason, Fleming and Jane trace the important role of conspiracy in the formation of the modern world: the scientific revolution, social contract theory, political sovereignty, religious paranoia and mass communication media. Rather than see in conspiratorial thinking the imminent death of Enlightenment reason, and a regression to a new Dark Age, Modern Conspiracy contends that many characteristic features of conspiracies tap very deeply into the history of the Enlightenment itself: among other things, its vociferous critique of established authorities, and a conception of political sovereignty fuelled by fear of counter-plots. Drawing out the roots of modern conspiratorial thinking leads us to truths less salacious and scandalous than the claims of conspiracy theorists themselves yet ultimately far more salutary: about mass communication; about individual and crowd psychology; and about our conception of and relation to knowledge.Perhaps, ultimately, what conspiracy theory affords us is a renewed opportunity to reflect on our very relationship to the truth itself.

Lomazzo's Aesthetic Principles Reflected in the Art of his Time explores the work of the Milanese artist-theorist Giovanni Paolo Lomazzo (1538-92) and his influence on the circle of the Accademia della Val di Blenio and beyond. Following reflections on Lomazzo's fortuna critica, the accompanying essays examine his admiration of Gaudenzio Ferrari; Lomazzo's painted oeuvre; his influence on printmaking with Giovanni Ambrogio Brambilla; on drawing and painting with Aurelio Luini; on the decorative arts and the embroideress Caterina Cantoni; his pupils Giovanni Ambrogio Figino and Girolamo Ciocca; grotesque sculpture outside Milan; and Lomazzo in England with Richard Haydocke's translation of the Trattato. In doing so, this book takes an innovative approach-one which aims to bridge the scholarship, hitherto disjoined, between Lomazzo the artist and Lomazzo the theorist-while expanding our knowledge of a protagonist of Renaissance and early modern art theory. Contributors: Alessia Alberti, Federico Cavalieri, Jean Julia Chai, Roberto Paolo Ciardi, Alexander Marr, Silvia Mausoli, Mauro Pavesi, Rossana Sacchi, Paolo Sanvito, and Lucia Tantardini.

In this highly readable and well-arranged compilation-including his much-celebrated "The Practice of Reading Good Books" and award-winning "Playing with Bateson"-Corey Anton brings together some of his most accessible and well-received essays. The collection, in addition to advancing and integrating the fields of media ecology and general semantics, will be of great interest to people who are concerned over the changing role of reading and literacy in contemporary life. A stimulating and provocative book having wide relevance to scholars and students in the areas of semiotics, rhetorical theory, orality/literacy studies, philosophy of communication, pedagogical theory, and communication theory, Communication Uncovered offers countless insights and broad-based orientations regarding the nature of language, linguistic and communicative habits, communication technologies, and symbolic practices more generally. This is a "must have" resource for anyone interested in multidisciplinary communication theory.

This volume offers a much needed shift of focus in the study of emotion in the history of philosophy. Discussion has tended to focus on the moral relevance of emotions, and (except in ancient philosophy) the role of emotions in cognitive life has received little attention. Thirteen new essays investigate the continuities between medieval and early modern thinking about the emotions, and open up a contemporary debate on the relationship between emotions, cognition, and reason, and the way emotions figure in our own cognitive lives. A team of leading philosophers of the medieval, renaissance, and early modern periods explore these ideas from the point of view of four key themes: the situation of emotions within the human mind; the intentionality of emotions and their role in cognition; emotions and action; the role of emotion in self-understanding and the social situation of individuals.

What makes individuals what they are? How should they judge their social and political interaction with the world? What makes them authentic or inauthentic? This original and provocative study explores the concept of "authenticity" and its relevance for radical politics. Weaving together close readings of three 20th century thinkers: Martin Heidegger, Karl Jaspers and Jean-Paul Sartre with the concept of authenticity, Stephen Eric Bronner illuminates the phenomenological foundations for self-awareness that underpin our sense of identity and solidarity. He claims that different expressions of the existential tradition compete with one another in determining how authenticity might be experienced, but all of them ultimately rest on self-referential judgments. The author's own new framework for a political ethic at once serves as a corrective and an alternative. Wonderfully rich, insightful, and nuanced, Stephen Eric Bronner has produced another bookshelf staple that speaks to crucial issues in politics, philosophy, psychology, and sociology. Existentialism, Authenticity, Solidarity will appeal to scholars, students and readers from the general public alike.

It is widely agreed that there is such a thing as sensory phenomenology and imagistic phenomenology. The central concern of the cognitive phenomenology debate is whether there is a distinctive "cognitive phenomenology"--that is, a kind of phenomenology that has cognitive or conceptual character in some sense that needs to be precisely determined. This volume presents new work by leading philosophers in the field, and addresses the question of whether conscious thought has cognitive phenomenology. It also includes a number of essays which consider whether cognitive phenomenology is part of conscious perception and conscious emotion.
Three broad themes run through the volume. First, some authors focus on the question of how the notion of cognitive phenomenology ought to be understood. How should the notion of cognitive phenomenology be defined? Are there different kinds of cognitive phenomenology? A second theme concerns the existence of cognitive phenomenology. Some contributors defend the existence of a distinctive cognitive phenomenology, whereas others deny it. The arguments for and against the existence of cognitive phenomenology raise questions concerning the nature of first-person knowledge of thought, the relationship between consciousness and intentionality, and the scope of the explanatory gap. A third theme concerns the implications of the cognitive phenomenology debate. What are the implications of the debate for accounts of our introspective access to conscious thought and for accounts of the very nature of conscious thought? Cognitive Phenomenology brings the debate to the forefront of philosophy, and provides a state-of-the-art account of the issues at stake.

French philosopher and Talmudic commentator Emmanuel Levinas (1906-1995) has received considerable attention for his influence on philosophical and religious thought. In this book, Victoria Tahmasebi-Birgani provides the first examination of the applicability of Emmanuel Levinas' work to social and political movements. Investigating his ethics of responsibility and his critique of the Western liberal imagination, Tahmasebi-Birgani advances the moral, political, and philosophical debates on the radical implications of Levinas' work.

Emmanuel Levinas and the Politics of Non-Violence is the first book to closely consider the affinity between Levinas' ethical vision and Mohandas Gandhi's radical yet non-violent political struggle. Situating Levinas' insights within a transnational, transcontinental, and global framework, Tahmasebi-Birgani highlights Levinas' continued relevance in an age in which violence is so often resorted to in the name of "justice" and "freedom."

The history of Continental philosophy is often conceived as being represented by two major schools: German idealism and phenomenology/existentialism. These two schools are frequently juxtaposed so as to highlight their purported radical differences. There is a commonly held view that an abrupt break occurred in the nineteenth century, resulting in a disdainful rejection of idealism in all its forms. This break is often located in the transition from Hegel to Kierkegaard. The history of philosophy in the first half of the nineteenth century has thus been read as a grand confrontation between the overambitious rationalistic system of Hegel and the devastating criticisms of it by Kierkegaard's philosophy of existence. This work aims to undermine this popular view of the radical break between idealism and existentialism by means of a series of detailed studies in specific episodes of European thought. As a whole, this book represents an important attempt to demonstrate the long shadow cast by Kant and Hegel over the subsequent history of European philosophy.

The Kant Dictionary is a comprehensive and accessible guide to the world of Immanuel Kant, one of the most important and influential thinkers in the history of philosophy. Meticulously researched and extensively cross-referenced, this unique book covers all his major works, ideas and influences and provides a firm grounding in the central themes of Kant's thought. Students will discover a wealth of useful information, analysis and criticism. A-Z entries include clear definitions of all the key terms used in Kant's writings and detailed synopses of his key works. The Dictionary also includes entries on Kant's major philosophical influences, such as Plato, Descartes, Berkeley and Leibniz, and those he influenced and engaged with, including Fichte, Hume and Rousseau. It covers everything that is essential to a sound understanding of Kant's philosophy, offering clear and accessible explanations of often complex terminology. The Kant Dictionary is the ideal resource for anyone reading or studying Kant or Modern European Philosophy more generally.

Although the Greeks were responsible for the first systematic philosophy of which we have any record, they were not alone in the Mediterranean world and were happy to draw inspiration from other traditions; traditions that are now largely neglected by philosophers and scholars. This book tells the story of 'Greek Philosophy', paying due attention to its historical context and the contributions made by Egyptians, Hebrews, Persians and even barbarians from northern Europe. Stephen Clark provides a narrative history of the philosophical traditions that took shape over several centuries in the Mediterranean world and offers a comprehensive survey of this crucial period in the history of philosophy. The book includes a thorough historical and philosophical overview of all the key thinkers, events and ideas that characterized the period and explores in detail central themes such as the contest of gods and giants, the contrast between the reality and appearance, and the idea of the philosopher. Ideal for undergraduate students, this concise and accessible book provides a comprehensive guide to a fascinating period in the history of philosophy.>

Husserl's 20th-century phenomenological project remains the cornerstone of modern European philosophy. The place of ethics is of importance to the ongoing legacy and study of phenomenology itself. Husserl's Ethics and Practical Intentionality constitutes one of the major new interventions in this burgeoning field of Husserl scholarship, and offers an unrivaled perspective on the question of ethics in Husserl's philosophy through a focus on volumes not yet translated into English. This book offers a refreshing perspective on stagnating ethical debates that pivot around conceptions of relativism and universalism, shedding light on a phenomenological ethics beyond the common dichotomy.

This book provides the first detailed study in English of the religious philosophy of Vasilii Rozanov, one of the most influential and controversial thinkers of Russia's Silver Age. It examines his subversion of traditional Russian Orthodoxy, including his reverence for the Creation, his focus on the family, and his worship of sex.Rozanov is one of the towering figures of Russian culture, a major influence on thinkers and writers such as Bakhtin, Maiakovskii, and Mandelshtam, as well as many European writers. He critiqued Orthodox theology, and wrote extensively on philosophy, literature, and politics, and helped reform marriage and divorce laws.His enormous contribution to Russian thought has been largely neglected, and much of his work has been misunderstood. Ure addresses this by examining the basis of Rozanov's religious philosophy, the Creation of the Earth and the Book of Genesis.>

Drawing on art, media, and phenomenological sources, Showing Off!: A Philosophy of Image challenges much recent thought by proposing a fundamentally positive relationship between visuality and the ethical. In philosophy, cultural studies and art, relationships between visuality and the ethical are usually theorized in negative terms, according to the dyadic logics of seeing on the one hand, and being seen, on the other. Here, agency and power are assumed to operate either on the side of those who see, or on the side of those who control the means by which people and things enter into visibility. To be seen, by contrast - when it occurs outside of those parameters of control- is to be at a disadvantage; hence, for instance, contemporary theorist Peggy Phelan's rejection of the idea, central to activist practices of the 1970's and 80's, that projects of political emancipation must be intertwined with, and are dependent on, processes of 'making oneself visible'. Acknowledgment of the vulnerability of visibility also underlies the realities of life lived within increasingly pervasive systems of imposed and self-imposed surveillance, and apparently confident public performances of visual self display. Showing Off!: A Philosophy of Image is written against the backdrop of these phenomena, positions and concerns, but asks what happens to our debates about visibility when a third term, that of 'self-showing', is brought into play. Indeed, it proposes a fundamentally positive relationship between visuality and the ethical, one primarily rooted not in acts of open and non-oppressive seeing or spectating, as might be expected, but rather in our capacity to inhabit both the risks and the possibilities of our own visible being. In other words, this book maintains that the proper site of generosity and agency within any visual encounter is located not on the side of sight, but on that of self-showing - or showing off!