What is the point of living? If we are all going to die anyway, if nothing will remain of whatever we achieve in this life, why should we bother trying to achieve anything in the first place? Can we be mortal and still live a meaningful life? Questions such as these have been asked for a long time, but nobody has found a conclusive answer yet. The connection between death and meaning, however, has taken centre stage in the philosophical and literary work of some of the world's greatest writers: Fyodor Dostoyevsky, Leo Tolstoy, Soren Kierkegaard, Arthur Schopenhauer, Herman Melville, Friedrich Nietzsche, William James, Ludwig Wittgenstein, Marcel Proust, and Albert Camus. This book explores their ideas, weaving a rich tapestry of concepts, voices and images, helping the reader to understand the concerns at the heart of those writers' work and uncovering common themes and stark contrasts in their understanding of what kind of world we live in and what really matters in life.

This volume traces the topic of affect across Lyotard's corpus and accounts for Lyotard's crucial and original contribution to the thinking of affect. Highlighting the importance of affect in Lyotard's philosophy, this work offers a unique contribution to both affect theory and the reception of Lyotard. Affect indeed traverses Lyotard's philosophical corpus in various ways and under various names: "figure" or "the figural" in Discourse, Figure, "unbound intensities" in his "libidinal" writings, "the feeling of the differend" in The Differend, "affect" and "infantia" in his later writings. Across the span of his work, Lyotard insisted on the intractability of affect, on what he would later call the "differend" between affect and articulation. The singular awakening of sensibility, affect both traverses and escapes articulation, discourse, and representation. Lyotard devoted much of his attention to the analysis of this traversal of affect in and through articulation, its transpositions, translations, and transfers. This volume explores Lyotard's account of affect as it traverses the different fields encompassed by his writings (philosophy, the visual arts, the performing arts, literature, music, politics, psychoanalysis as well as technology and post-human studies).

Friedrich Schleiermacher's Platons Werke (1804-28) changed how we understand Plato. His translation of Plato's dialogues remained the authoritative one in the German-speaking world for two hundred years, but it was his interpretation of Plato and the Platonic corpus, set forth in his Introductions to the dialogues, that proved so revolutionary for classicists and philosophers worldwide. Schleiermacher created a Platonic question for the modern world. Yet, in Schleiermacher studies, surprisingly little is known about Schleiermacher's deep engagement with Plato. Schleiermacher's Plato is the first book-length study of the topic. It addresses two basic questions: How did Schleiermacher understand Plato? In what ways was Schleiermacher's own thought influenced by Plato? Lamm argues that Schleiermacher's thought was profoundly influenced by Plato, or rather by his rather distinctive understanding of Plato. This is true not only of Schleiermacher's philosophy (Hermeneutics, Dialectics) but also of his thinking about religion and Christian faith during the first decade of the nineteenth century (Christmas Dialogue, Speeches on Religion). Schleiermacher's Plato should be of interest to classicists, philosophers, theologians, and scholars of religion.

This book offers a conceptual map of Habermas' philosophy and a systematic introduction to his work. It does so by systematically examining six defining themes-modernity, discourse ethics, truth and justice, public law and constitutional democracy, cosmopolitanism, and toleration-of Habermas' philosophy as well as their inner logic. The text distinguishes itself in content and perspective by offering a very clear conceptual map and by providing a new interpretation of Habermas' views in light of his overarching system. In terms of scope, the book touches upon Habermas' broad range of works. As for method, the text illustrates key concepts in his philosophy making it a useful reference aid. It appeals to students and scholars in the field looking for a current introductory text or supplementary reading on Habermas.

This volume is based to a large extent on the understanding of biosemiotic literary criticism as a semiotic-model-making enterprise. For Jurij Lotman and Thomas A. Sebeok, "nature writing is essentially a model of the relationship between humans and nature" (Timo Maran); biosemiotic literary criticism, itself a form of nature writing and thus itself an ecological-niche-making enterprise, will be considered to be a model of modeling, a model of nature naturing. Modes and models of analysis drawn from Thomas A. Sebeok and Marcel Danesi's Forms of Meaning: Modeling Systems Theory and Semiotic Analysis as well as from Timo Maran's work on "modeling the environment in literature," Edwina Taborsky's writing on Peircean semiosis, and, of course, Jesper Hoffmeyer's formative work in biosemiotics are among the most important organizing elements for this volume.

Returning to the Greek understanding of art to rethink its capacities, Creation and the Function of Art focuses on the relationship between techne and phusis (nature). Moving away from the theoretical Platonism which dominates contemporary understandings of art, this book instead reinvigorates Aristotelian causation. Beginning with the Greek topos and turning to insights from philosophy, pure mathematics, psychoanalysis and biology, Jason Tuckwell re-problematises techne in functional terms. This book examines the deviations at play within logical forms, the subject, and upon phusis to better situate the role of the function in poiesis (art). In so doing, Tuckwell argues that art concerns a genuinely creative labour that cannot be resolved via an ontological or epistemological problem, but which instead constitutes an encounter with the problematic. As such, techne is shown to be a property of the living, of intelligence coupled to action, that not only enacts poiesis or art, but indicates a broader role for creative deviation in nature.

With entries written by leading scholars in the field of Modern Philosophy, this is a complete one-volume reference guide to Leibniz's life, thought and work. G.W.F. Leibniz (1646-1716) was one of the great polymaths of the modern world. As well as being among the greatest Rationalist metaphysicians of the post-medieval age, he built the first mechanical calculator capable of multiplication and division, and developed the binary, base-two system. As a physicist, he made advances in mechanics, coining the term 'kinetic energy'. As a mathematician, Leibniz invented calculus independently of Newton, and it is his notation, not Newton's, which is used to this day. Perhaps best known for the atomic concept of the monad, Leibniz also made outstanding contributions to symbolic logic, aesthetics, history, linguistics, and political theory. With entries written by leading scholars in the field of Modern Philosophy, this Companion is an accessible and authoritative reference guide to Leibniz's life, work and. The book includes extended biographical sketches, a time line and an up-to-date annotated bibliography. Gathering all these resources, this book will be an extremely valuable tool for those interested in Leibniz and the era in which he wrote. "The Continuum Companions" series is a major series of single volume companions to key research fields in the humanities aimed at postgraduate students, scholars and libraries. Each companion offers a comprehensive reference resource giving an overview of key topics, research areas, new directions and a manageable guide to beginning or developing research in the field. A distinctive feature of the series is that each companion provides practical guidance on advanced study and research in the field, including research methods and subject-specific resources.

The early modern philosopher Anne Conway offers a remarkable synthesis of ideas from differing philosophical traditions that deserve our attention today. Exploring all of the major aspects of Conway’s thought, this book presents a valuable guide to her contribution to the history of philosophy. Through a close reading of her central text, Principles of the Most Ancient and Modern Philosophy (1690), it considers her intellectual context and addresses some of the outstanding interpretive issues concerning her philosophy. Contrasting her position with that of contemporaries such as Henry More, Franciscus Mercurius van Helmont and George Keith, it examines her critique of the prominent philosophical schools of the time, including Cartesian dualism and Hobbesian materialism. From her accounts of dualism, time and God to the often overlooked elements of her work such as her theory of freedom and salvation, The Philosophy of Anne Conway illuminates the ideas and legacy of an important early-modern woman philosopher.