The contemporaries of Friedrich Heinrich Jacobi (1743-1819) openly acknowledged his towering importance. Both Fichte and Hegel praised him in the same breath with Kant as having launched the philosophical revolution they sought to complete. Yet for more than a century, misrepresentations of Jacobi's thought have stood in the way of a proper appreciation of his insights. In her study of this long-neglected German philosopher, Birgit Sandkaulen interprets his philosophical writings in their intellectual context. Originally published in German and translated into English for the first time, this is a major contribution to reading the life, work, and legacy of Jacobi. Offering new perspectives on Fichte, Schelling, and Hegel, Sandkaulen focuses on Jacobi's specific conception of practical realism. This conception, the source of Jacobi's famous defense of faith and human freedom, matches his critique of the German Idealists: the post -Kantian systems of German Idealism were bound to fail. Sandkaulen shows us that long before 20th-century philosophers took up this line of thought, indeed at the very origin of the epoch-making developments of classical German philosophy, Jacobi articulated a practical, ethical, personal realism that is as philosophically appealing and relevant today as it was in its time.

Napoleon's biographers often note his fondness for theatre, but as we approach the bicentenary of the Emperor's death, little remains known about the nature of theatre at the time. This is particularly the case for tragedy, the genre in which France considered itself to surpass its neighbours. Based on extensive archival research, this first sustained study of tragedy under Napoleon examines how a variety of agents used tragedy and its rewriting of history to make an impact on French politics, culture and society, and to help reconstruct the French nation after the Revolution. This volume covers not just Napoleon's efforts, but also those of other individuals in government, the theatrical world, and the wider population. Similarly, it uncovers a public demand for tragedy, be it the return of Corneille, Racine, and Voltaire to the Comedie-Francaise, or new hits like Les Templiers (1805) and Hector (1809). This research also sheds new light on Napoleonic propaganda and censorship, exposing their incoherencies and illustrating how audiences reacted to these processes. In short, Tragedy and Nation in the Age of Napoleon argues that Napoleonic tragedy was not simply tired and derivative; it engaged its audiences, by chomping at the poetic bit, allowing for a retrial of the Revolution, and offering a vision of the new French nation.

This is the first English translation of a compelling and highly original reading of Epicurus by Jean-Marie Guyau. This book has long been recognized as one of the best and most concerted attempts to explore one of the most important, yet controversial ancient philosophers whose thought, Guyau claims, remains vital to modern and contemporary culture. Throughout the text we are introduced to the origins of the philosophy of pleasure in Ancient Greece, with Guyau clearly demonstrating how this idea persists through the history of philosophy and how it is an essential trait in the Western tradition. With an introduction by Keith Ansell-Pearson and Federico Testa, which contextualizes the work of Guyau within the canon of French thought, and notes on both further reading and on Epicurean scholarship more generally, this translation also acts as a critical introduction to the philosophy of Guyau and Epicurus.

Soliloquies is a work from Augustine's early life, shortly after his conversion, in which are visible all the seeds contained in his future writings. Here we see Augustine as a philosopher, a thinker and a budding theologian.