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Books > Philosophy > Western philosophy
The notions of the cosmic city and the common law are central to
early Stoic political thought. As Vogt shows, together they make up
one complex theory. A city is a place governed by the law. Yet on
the law pervading the cosmos can be considered a true law, and thus
the cosmos is the only real city. A city is also a
dwelling-place--in the case of the cosmos, the dwelling-place of
all human beings. Further, a city demarcates who belongs together
as fellow-citizens. The thought that we should view all other human
beings as belonging to us constitutes the core of Stoic
cosmopolitanism. All human beings are citizens of the cosmic city
in the sense of living in the world. But the demanding task of
acquiring wisdom allows a person to become a citizen in the strict
sense: someone who lives according to the law, as the gods do. The
sage is the only citizen, relative, friend and free person; via
these notions, the Stoics explore the political dimensions of the
Stoic idea of wisdom. Vogt argues against two widespread
interpretations of the common law--that it consists of rules, and
that lawful action is what right reason prescribes. While she
rejects the rules-interpretation, she argues that the prescriptive
reason-interpretation correctly captures key ideas of the Stoics'
theory, but misses the substantive side of their conception of the
law. The sage fully understands what is valuable for human beings,
and this makes her actions lawful. The Stoics emphasize the
revisionary nature of their theory; whatever course of action
perfect deliberation commands, even if it be cutting off one's limb
and eating it, we should act on its command, and not be held back
by conventional judgments.
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In this seminal book for our age, McTaggart also offers a complete
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The Meditations of Roman Emperor Marcus Aurelius are a readable
exposition of the system of metaphysics known as stoicism. Stoics
maintained that by putting aside great passions, unjust thoughts
and indulgence, man could acquire virtue and live at one with
nature.
Yitzhak Melamed here offers a new and systematic interpretation of
the core of Spinoza's metaphysics. In the first part of the book,
he proposes a new reading of the metaphysics of substance in
Spinoza: he argues that for Spinoza modes both inhere in and are
predicated of God. Using extensive textual evidence, he shows that
Spinoza considered modes to be God's propria. He goes on to clarify
Spinoza's understanding of infinity, mereological relations,
infinite modes, and the flow of finite things from God's essence.
In the second part of the book, Melamed relies on this
interpretation of the substance-mode relation and the nature of
infinite modes and puts forward two interrelated theses about the
structure of the attribute of Thought and its overarching role in
Spinoza's metaphysics. First, he shows that Spinoza had not one,
but two independent doctrines of parallelism. Then, in his final
main thesis, Melamed argues that, for Spinoza, ideas have a
multifaceted (in fact, infinitely faceted) structure that allows
one and the same idea to represent the infinitely many modes which
are parallel to it in the infinitely many attributes. Thought turns
out to be coextensive with the whole of nature. Spinoza cannot
embrace an idealist reduction of Extension to Thought because of
his commitment to the conceptual separation of the attributes. Yet,
within Spinoza's metaphysics, Thought clearly has primacy over the
other attributes insofar as it is the only attribute which is as
elaborate, as complex, and, in some senses, as powerful as God.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
The Matrix trilogy is unique among recent popular films in that it
is constructed around important philosophical questions--classic
questions which have fascinated philosophers and other thinkers for
thousands of years. Editor Christopher Grau here presents a
collection of new, intriguing essays about some of the powerful and
ancient questions broached by The Matrix and its sequels, written
by some of the most prominent and reputable philosophers working
today. They provide intelligent, accessible, and thought-provoking
examinations of the philosophical issues that support the
films.
Philosophers Explore The Matrix includes an introduction that
surveys the use of philosophical ideas in the film. Topics that the
contributors tackle include: how a collaborative dream could differ
from hallucination, the difference between the Matrix and the
"real" world; why living in the Matrix would be considered "bad";
the similarities between the Matrix and Plato's Cave; the moral
status of artificially created beings, whether one can behave
immorally in illusory circumstances, and the true nature of free
will and responsibility. This volume also includes an appendix of
classic philosophical writing on these issues by Plato, Berkeley,
Descartes, Putnam, and Nozick.
Philosophers Explore The Matrix will fascinate any fan of the
films who wants to delve deeper into their themes, as well as any
student of philosophy who desires an accessible entry into this
challenging and profoundly vital world of ideas.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
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