Digitizing Enlightenment explores how a set of inter-related
digital projects are transforming our vision of the Enlightenment.
The featured projects are some of the best known, well-funded and
longest established research initiatives in the emerging area of
'digital humanities', a field that has, particularly since 2010,
been attracting a rising tide of interest from professional
academics, the media, funding councils, and the general public
worldwide. Advocates and practitioners of the digital humanities
argue that computational methods can fundamentally transform our
ability to answer some of the 'big questions' that drive humanities
research, allowing us to see patterns and relationships that were
hitherto hard to discern, and to pinpoint, visualise, and analyse
relevant data in efficient and powerful new ways. In the book's
opening section, leading scholars outline their own projects'
institutional and intellectual histories, the techniques and
methodologies they specifically developed, the sometimes-painful
lessons learned in the process, future trajectories for their
research, and how their findings are revising previous
understandings. A second section features chapters from early
career scholars working at the intersection of digital methods and
Enlightenment studies, an intellectual space largely forged by the
projects featured in part one. Highlighting current and future
research methods and directions for digital eighteenth-century
studies, the book offers a monument to the current state of digital
work, an overview of current findings, and a vision statement for
future research. Featuring contributions from Keith Michael Baker,
Elizabeth Andrews Bond, Robert M. Bond, Simon Burrows, Catherine
Nicole Coleman, Melanie Conroy, Charles Cooney, Nicholas Cronk, Dan
Edelstein, Chloe Summers Edmondson, the late Richard Frautschi,
Clovis Gladstone, Howard Hotson, Angus Martin, Katherine McDonough,
Alicia C. Montoya, Robert Morrissey, Laure Philip, Jeffrey S.
Ravel, Glenn Roe, and Sean Takats.
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