Robert Dallek, a luminary in the field of political biography-author of the Pulitzer Prize finalist Nixon and Kissinger and the New York Times bestselling biography of John F. Kennedy-offers here a look at the life of William Dodd, an American diplomat stationed in Nazi Germany. An insightful historical account, Democrat and Diplomat exposes the dark underbelly of 1930s Germany and explores the terrible burden of those who realized the horror that was to come. Dodd was the U.S. Ambassador to Germany from 1933 to 1937, arriving in Berlin with his wife and daughter just as Hitler assumed the chancellorship. An unlikely candidate for the job-and not President Roosevelt's first choice-Dodd quickly came to realize that the situation in Germany was far grimmer than was understood in America. His early optimism was soon replaced by dire reports on the treatment of Jewish citizens and his pessimism about the future of Germany and Europe. Finding unwilling listeners back in the U.S., Dodd clashed repeatedly with the State Department, as well as the Nazi government, during his time as ambassador. He eventually resigned and returned to America, despairing and in ill-health. Dodd's story was brought into public prominence last year by Erik Larsen's New York Times bestseller The Garden of Beasts. Dallek's biography, first published in 1968 and now in paperback for the first time, tells the full story of the man and his doomed years in the darkness of pre-War Berlin.

This book, the second volume in A Linguistic History of English, describes the development of Old English from Proto-Germanic. Like Volume I, it is an internal history of the structure of English that combines traditional historical linguistics, modern syntactic theory, the study of languages in contact, and the variationist approach to language change. The first part of the book considers the development of Northwest and West Germanic, and the northern dialects of the latter, with particular reference to phonological and morphological phenomena. Later chapters present a detailed account of changes in the Old English sound system, inflectional system, and syntax. The book aims to make the findings of traditional historical linguistics accessible to scholars and students in other subdisciplines, and also to adopt approaches from contemporary theoretical linguistics in such a way that they are accessible to a wide range of historical linguists.

The study of Roman sculpture has been an essential part of the disciplines of Art History and Classics since the eighteenth century. From formal concerns such as Kopienkritic (copy criticism) to social readings of plebeian and patrician art and beyond, scholars have returned to Roman sculpture to answer a variety of questions about Roman art, society, and history. Indeed, the field of Roman sculptural studies encompasses not only the full chronological range of the Roman world but also its expansive geography, and a variety of artistic media, formats, sizes, and functions. Exciting new theories, methods, and approaches have transformed the specialized literature on the subject in recent decades. Rather than creating another chronological ARCH15OXH of representative examples of various periods, genres, and settings, The Oxford Handbook of Roman Sculpture synthesizes current best practices for studying this central medium of Roman art, situating it within the larger fields of art history, classical archaeology, and Roman studies. This volume fills the gap between introductory textbooks-which hide the critical apparatus from the reader-and the highly focused professional literature. The handbook conveniently presents new technical, scientific, literary, and theoretical approaches to the study of Roman sculpture in one reference volume and complements textbooks and other publications that present well-known works in the corpus. Chronologically, the volume addresses material from the Early Republican period through Late Antiquity. The Oxford Handbook of Roman Sculpture not only contributes to the field of classical art and archaeology but also provides a useful reference for classicists and historians of the ancient world.

In the course of the eighteenth century, discoveries ranging from Tahiti to Pompeii initiated a scientific turn in the study of the past. Seeking a formal language to display these new findings, Romantic-era plate books presented a wide array of objects as ancient relics. This proliferation of antiquities, a product of old affinities between natural history and antiquarianism, provided new material for the formation of archaeology, geology, anthropology, and other modern disciplines. Sciences of Antiquity traces the production of five scholarly plate books on subjects of major literary and scientific interest at the time: South Pacific voyaging, Mount Vesuvius, ancient Greek vases, monuments in English cathedrals, and the geology of southeast England. Focusing on illustrators, fieldworkers, and ghostwriters associated with this type of scholarly publication, Heringman explores how the expertise acquired by these largely self-educated intellectuals precipitated a major shift in the way research was done - from patronage to professionalism. Their scholarship and technical skills demanded recognition, sparking conflicts over the division of labour and the role of institutions such as the Royal Society and the Society of Antiquaries. Ambitious, collaborative plate books, such as The Collection of Etruscan, Greek, and Roman Antiquities (1776) and Sepulchral Monuments of Great Britain (1799), forged a broader and deeper perception of antiquity as extending far beyond the Greco-Roman world.

The present edition of The Book of Fallacies is the first that follows Bentham's own structure for the work, and includes a great deal of material, both in terms of the fallacies themselves and the illustrative matter, that previous versions of the work have omitted. The fallacies that concerned Bentham were not logical errors of the sort identified by Aristotle, or commonplace misunderstandings of matters of fact, but arguments deployed in political debate, in particular in the British Parliament, in order to prevent reform. Bentham not only identified, described, and criticized the fallacious arguments in question, which were all characterized by their irrelevancy, but explained the sinister interests that led politicians to employ them and their supporters to accept them. By exposing these political fallacies, Bentham hoped to prevent their employment in future, and thereby to place political debate on its only proper ground, namely considerations drawn from the principle of utility.

Examining the diverse religious texts and practices of the late Hellenistic and Roman periods, this collection of essays investigates the many meanings and functions of ritual sacrifice in the ancient world. The essays survey sacrificial acts, ancient theories, and literary as well as artistic depictions of sacrifice, showing that any attempt to identify a single underlying significance of sacrifice is futile. Sacrifice cannot be defined merely as a primal expression of violence, despite the frequent equation of sacrifice to religion and sacrifice to violence in many modern scholarly works; nor is it sufficient to argue that all sacrifice can be explained by guilt, by the need to prepare and distribute animal flesh, or by the communal function of both the sacrificial ritual and the meal.
As the authors of these essays demonstrate, sacrifice may be invested with all of these meanings, or none of them. The killing of the animal, for example, may take place offstage rather than in sight, and the practical, day-to-day routine of plant and animal offerings may have been invested with meaning, too. Yet sacrificial acts, or discourses about these acts, did offer an important site of contestation for many ancient writers, even when the religions they were defending no longer participated in sacrifice. Negotiations over the meaning of sacrifice remained central to the competitive machinations of the literate elite, and their sophisticated theological arguments did not so much undermine sacrificial practice as continue to assume its essential validity.
Ancient Mediterranean Sacrifice offers new insight into the connections and differences among the Greek and Roman, Jewish and Christian religions.

European first millennium BC studies have witnessed an increasing theoretical divide between the approaches adopted in different countries. Whilst topics such as ethnicity, identity, and agency have dominated many British studies, such themes have had less resonance in continental approaches. At the same time, British and Iberian first millennium BC studies have become increasingly divorced from research elsewhere in Europe. While such divergence reflects deep historical divisions in theory and methodology between European perspectives, it is an issue that has been largely ignored by scholars of the period. This volume addresses these issues by bringing together 33 papers by leading Bronze Age and Iron Age scholars from France, Spain, Portugal, Belgium, Ireland, North America, and the United Kingdom. Initial chapters from leading specialists introduce major themes (landscape studies, social organisation, historiography, dynamics of change, and identity), providing overviews on the history of approaches to these areas, personal perspectives on current problems, and possible future research directions. Subsequent chapters by key researchers develop these topics, presenting case studies and in-depth discussions of particular issues relating to the first millennium BC in the Atlantic realm of Western Europe.

No Regrets: Remorse in Classical Antiquity is the first sustained study examining the circumstances under which the emotions of remorse and regret were manifested in Greek and Roman public life. Despite a still-common notion that remorse is a modern, monotheistic emotion, it argues that remorse did in fact exist in pre-Christian antiquity. By discussing the standard lexical denotations of remorse, Fulkerson shows how its parameters were rather different from its modern counterpart. Remorse in the ancient world was normally not expressed by high-status individuals, but by their inferiors, notably women, the young, and subjects of tyrants, nor was it redemptive, but often served to show defect of character. Through a series of examples, especially poetic, historical, and philosophical texts, this book demonstrates this was so because of the very high value placed on consistency of character in the ancient world. High-status men, in particular, faced constant challenges to their position, and maintaining at least the appearance of uniformity was essential to their successful functioning. The redemptive aspects of remorse, of learning from one's mistakes, were thus nearly absent in the ancient world.

This is the first book in English about the earliest historical civilization in the western Mediterranean, known as "Tartessos." Endowed with extraordinary wealth in metals and strategically positioned between the Atlantic and Mediterranean trading routes at the time of Greek and Phoenician colonial expansion, Tartessos flourished in the eight-seventh centuries BCE. Tartessos became a literate, sophisticated, urban culture in southwestern Iberia (today's Spain and Portugal), enriched by commercial contacts with the Aegean and the Levant since at least the ninth century. In its material culture (architecture, grave goods, sanctuaries, plastic arts), we see how native elements combined with imported "orientalizing" innovations introduced by the Phoenicians. Historians of the rank of Herodotos and Livy, geographers such as Strabo and Pliny, Greek and Punic periploi and perhaps even Phoenician and Hebrew texts, testify to the power, wealth, and prominence of this westernmost Mediterranean civilization. Archaeologists, in turn, have demonstrated the existence of a fascinating complex society with both strong local roots and international flare. Yet for still-mysterious reasons, Tartessos did not attain a "Classical" period like its peer emerging cultures did at the same time (Etruscans, Romans, Greeks). This book combines the expertise of its two authors in archaeology, philology, and cultural history to present a comprehensive, coherent, theoretically up-to-date, and informative overview of the discovery, sources, and debates surrounding this puzzling culture of ancient Iberia and its complex hybrid identity vis-a-vis the western Phoenicians. This book will be of great interest to students of the classics, archaeology and ancient history, Phoenician-Punic studies, colonization and cultural contact.

Whether in schoolrooms or kitchens, state houses or church pulpits, women have always been historians. Although few participated in the academic study of history until the mid-twentieth century, women functioned as primary translators and teachers, offering explanations, allegories, and scholastic narrations of the past. Though often lesser known that white women in the historical literature, black women wrote textbooks, pedagogical polemics, popular poems, and sermons assessing ancient Ethiopia, contemporary Liberia, the role of the female historian, and the future of the black race.
This anthology aims to bring together approximately sixteen writings by African-American women between 1832 and 1920, the period when they began to write for American audiences and to use history to comment on political and social issues of the day. The pieces are by more familiar nineteenth-century writers in black America--like Maria Stewart, Francis E. W. Harper, and Alice Dunbar-Nelson--as well as lesser-known mothers and teachers whose participation in their local educational systems thrust them into national intellectual conversations. Each piece will have a headnote providing biographical information about its author as well as contextual information about its publication and the topic being discussed. The volume will contain a substantial introduction to the overall enterprise of black women's historical writings. Because the editors are both trained in American Studies and religious history, their introduction will particularly highlight religious themes and venues in which these writings were presented. This book should appeal to general readers of books like those in the Schomburg Libraryseries, as well as those who work and teach American history, African American studies, womens studies, American literature, and American religious history.

Composed towards the end of the first century CE, Statius' Thebaid relates the myth of the 'Seven against Thebes': the assault of the seven champions of Argos on the ancient city in a bid to oust Eteocles, son of Oedipus, from his throne in favour of his brother, Polynices. Book 2 presents several key events in the build-up to the Theban war: Eteocles' haunting by the ghost of his grandfather Laius, the ill-omened weddings of Polynices and his ally Tydeus to the princesses of Argos, and Tydeus' failed embassy to Eteocles, leading to his famed victory over a Theban ambush. This volume represents the first full-length scholarly commentary in English on Book 2 of the twelve-book Latin epic, greatly expanding on and updating Mulder's 1954 Latin language commentary. An extensive introduction covers the poem's historical, textual, and literary contexts, with particular attention to Statius' adaptation of prior literary tradition and especially the epics of Homer, Virgil, Ovid, Lucan, Valerius Flaccus, and Silius Italicus. The Latin text, accompanied by a clear translation and apparatus criticus, is newly edited to take advantage of the recent detailed editorial work on the poem by Hall, Ritchie, and Edwards and is supplemented by a comprehensive and incisive line-by-line commentary which addresses a range of textual, linguistic, and literary topics. The result is a keenly focused yet accessible critical edition that will be of interest both to specialist scholars of Latin poetry and to advanced graduate students studying Flavian epic.

Puerto Rico, acquired by the United States from Spain in 1898, has a peculiar status among Latin American and Caribbean countries. As a Commonwealth, the island enjoys limited autonomy over local matters, but the U.S. has essentially dominated it militarily, politically, and economically for much of its history. Though they are citizens, Puerto Ricans do not have their own voting representatives in Congress and cannot vote for the president or VP. The island's status is a topic of perennial debate, evidenced by the 2012 referendum, in which a majority voted for statehood for the first time. More recently, the island's colossal public debt has sparked an economic crisis that is the focus of an upcoming Supreme Court case. The issue is intimately tied to the question of status, and consensus on the solution has proven elusive. Despite their ongoing colonial dilemma, Puerto Ricans display a strong national identity-after 118 years of occupation, the Island remains a Spanish-speaking, Afro-Hispanic-Caribbean nation. At the same time, the island's population is constantly in flux, with an estimated 60.7% of boricuas living stateside, while many others are also returning to the island. Despite the island's popularity as a tourist destination, few beyond its shores are familiar with its history. Puerto Rico: What Everyone Needs to Know provides a succinct, authoritative, and well-documented introduction to the Island's rich history, culture, politics, and economy. Jorge Duany, takes on the task of educating readers on the most important facets of the unique, troubled, but much beloved isla del encanto.

Ever since Karl Jasper's "axial age" paradigm, there have been a number of influential studies comparing ancient East Asian and Greco-Roman history and culture. Most of these have centered on the emergence of the world's philosophical and religious traditions, or on models of empire building. However, to date there has been no comparative study involving literatures of multiple traditions in the ancient East Asian and Mediterranean cultural spheres. At first glance, it would appear that the literary cultures of early Japan and Rome share little in common with each other. Yet both were intimately connected with the literature of antecedent "reference cultures," China and Greece respectively. These connections had far-reaching legal, ethical, material, linguistic, bibliographical, and literary consequences that made for distinctive Sino-Japanese and Greco-Roman dynamics. Exploring writers from Otomo no Yakamochi to Sugawara no Michizane and Sei Shonagon and from Cicero and Virgil to Ovid and Martianus Capella, Classical World Literatures captures the striking similarities between the ways Early Japanese writers wrote their own literature through and against the literary precedents of China and the ways Latin writers engaged and contested Greek precedents. Chapters engage in issues ranging from early narratives of literary history, cultural foundation figures, literature of the capital and poetry of exile, to strategies of cultural comparison in the form of parody and satire or synoptic texts. The book also brings to light suggestive divergences that are rooted in geopolitical, linguistic, sociohistorical, and aesthetic differences between Early Japanese and Roman literary cultures. Author Wiebke Denecke examines how Japanese and Latin writers were affected by an awareness of their own belatedness, how their strategies in telling of the origins of their own literatures evolved, and how notions about simplicity, ornateness, and cultural decline came to be blamed on the influence of their cultural ancestors. Proposing an innovative methodology of "deep comparison" for the cross-cultural comparison of premodern literary cultures and calling for an expansion of world literature debates into the ancient and medieval worlds, Classical World Literatures is both a theoretical intervention and an invitation to reading and re-reading four major literary traditions of the classical world in an innovative and illuminating light.

Orwell's personal account of his experiences and observations in the Spanish Civil War.

The continued vitality of the Greek city (polis) in the centuries after the Peloponnesian War has now been richly demonstrated by historians. But how does that vitality relate to the prominence in the same period of both civic unrest, or stasis, and utopian political thinking? In order to address this question, this volume uses exile and exiles as a lens for investigating the later Classical and Hellenistic polis and the political ideas which shaped it. The issue of the political and ethical status of exile and exiles necessarily raised fundamental questions about civic inclusion and exclusion, closely bound up with basic ideas of justice, virtue, and community. This makes it possible to interpret the varied evidence for exile as a guide to the complex, dynamic ecology of political ideas within the later Classical and post-Classical civic world, including both taken-for-granted political assumptions and more developed political ideologies and philosophies. In the course of its investigation, Stasis and Stability discusses the rich evidence for varied forms of expulsion and reintegration of citizens of poleis across the Mediterranean, analysing the full range of relevant civic institutions, practices, and debates. It also investigates civic activity and ideology outside the polis, addressing the complex and diverse political organization, agitation, and ideas of exiles themselves. Using this evidence, the volume develops an argument that the rich Greek civic political culture and political thought of this period were marked by significant extremes, contradictions, and indeterminacies in ideas about the relative value of solidarity and reciprocity, self-sacrifice and self-interest. Those features of the polis' political culture and political thought are integral to explaining both civic unrest and civic flourishing, both stasis and stability.

Hellenism and the Local Communities of the Eastern Mediterranean offers a timely re-examination of the relationship between Greek and non-Greek cultures in this region between 400 BCE and 250 CE. The conquests of Alexander the Great and his Successors not only radically reshaped the political landscape, but also significantly accelerated cultural change: in recent decades there has been an important historiographical emphasis on the study of the non-Greek cultures of the Eastern Mediterranean, but less focus on how Greek cultural elements became increasingly visible. Although the process of cross-cultural interaction differed greatly across Asia Minor, Egypt, the Levant, and Mesopotamia, the same overarching questions apply: why did the non-Greek communities of the Eastern Mediterranean engage so closely with Greek cultural forms as well as political practices, and how did this engagement translate into their daily lives? In exploring the versatility and adaptability of Greek political structures, such as the polis, and the ways in which Greek and non-Greek cultures interacted in fields such as medicine, literature, and art, the essays in this volume aim to provide new insight into these questions. At the same time, they prompt a re-interrogation of the process of Hellenization, exploring whether it is still a useful concept for explaining and understanding the dynamics of cultural exchange in the Eastern Mediterranean of this period.

This volume presents eighteen papers by leading Roman historians and archaeologists discussing trade in the Roman Empire during the period c.100 BC to AD 350. It focuses especially on the role of the Roman state in shaping the institutional framework for trade within and outside the empire, in taxing that trade, and in intervening in the markets to ensure the supply of particular commodities, especially for the city of Rome and for the army. As part of a novel interdisciplinary approach to the subject, the chapters address its myriad facets on the basis of broadly different sources of evidence: historical, papyrological, and archaeological. They are grouped into three sections, covering institutional factors (taxation, legal structures, market regulation, financial institutions); evidence for long-distance trade within the empire in wood, stone, glass, and pottery; and trade beyond the frontiers, with the east (as far as China), India, Arabia, the Red Sea, and the Sahara. Rome's external trade with realms to the east emerges as being of particular significance, but it is in the eastern part of the empire itself where the state appears to have adapted the mechanisms of taxation in collaboration with the elite holders of wealth to support its need for revenue. On the other hand, the price of that collaboration, which was in effect a fiscal partnership, ultimately led in the longer term in slightly different forms in the east and the west to a fundamental change in the political character of the empire.

While the fate of minorities under Nazism is well known, the earlier expulsions of Germany's unwanted residents are less well understood. Against a backdrop of raging public debate, and numerous claims of a 'state of exception', tens of thousands of vulnerable people living in the German Empire were the victims of mass expulsion orders between 1871 and 1914. Groups as diverse as Socialists, Jesuits, Danes, colonial subjects, French nationalists, Poles, and 'Gypsies' were all removed, under circumstances that varied from police actions undertaken by provincial governors through to laws authorising removals passed by the Reichstag. Purging the Empire examines the competing voices demanding the removal or the preservation of suspect communities, suggesting that these expulsions were enabled by the decentralised and participatory nature of German politics. In a surprisingly responsive political system, a range of players, including the Kaiser, the Reichstag, the bureaucracy, provincial officials, and local police authorities were all empowered to authorise the expulsion of unwanted residents. Added to this, the German press, civic associations, chambers of commerce, public intellectuals, religious societies, and the grassroots membership of political parties all played an important role in advocating or denouncing the measures before, during and after their implementation. Far from revealing the centrality of authoritarian caprice, Germany's mass expulsions point to the diffuse nature of coercive sovereign power and the role of public pressure in authorising or censuring the removals that took place in a modern, increasingly parliamentary Rechtsstaat.

In this illuminating study of a vital but long overlooked aspect of Chinese religious life, Jimmy Yu reveals that in the sixteenth and seventeenth centuries, self-inflicted violence was an essential and sanctioned part of Chinese culture. He examines a wide range of practices, including blood writing, filial body-slicing, chastity mutilations and suicides, ritual exposure, and self-immolation, arguing that each practice was public, scripted, and a signal of certain cultural expectations. Yu shows how individuals engaged in acts of self-inflicted violence to exercise power and to affect society, by articulating moral values, reinstituting order, forging new social relations, and protecting against the threat of moral ambiguity. Self-inflicted violence was intelligible both to the person doing the act and to those who viewed and interpreted it, regardless of the various religions of the period: Buddhism, Daoism, Confucianism, and other religions. Self-inflicted violence as a category reveals scholarly biases that tend to marginalize or exaggerate certain phenomena in Chinese culture. Yu offers a groundbreaking contribution to scholarship on bodily practices in late imperial China, challenging preconceived ideas about analytic categories of religion, culture, and ritual in the study of Chinese religions.

On the accession of Louis XIII in 1610 following the assassination of his father, the Bourbon dynasty stood on unstable foundations. For all of Henri IV's undoubted achievements, he had left his son a realm that was still prey to the ambitions of an aristocracy that possessed independent military force and was prepared to resort to violence and vendetta in order to defend its interests and honour. To establish his personal authority, Louis XIII was forced to resort to conspiracy and murder, and even then his authority was constantly challenged. Yet a little over a century later, as the reign of Louis XIV drew to a close, such disobedience was impossible. Instead, a simple royal command expressing the sovereign's disgrace was sufficient to compel the most powerful men and women in the kingdom to submit to imprisonment or internal exile without a trial or an opportunity to justify their conduct, abandoning their normal lives, leaving families, careers, offices, and possessions behind in obedience to their sovereign. To explain that transformation, this volume examines the development of this new 'politics of disgrace', why it emerged, how it was conceptualised, the conventions that governed its use, and reactions to it, not only from the perspective of the monarch and his noble subjects, but also the great corporations of the realm and the wider public. Although that new model of disgrace proved remarkably successful, influencing the ideas and actions of the dominant social elites, it was nevertheless contested, and the critique of disgrace connects to the second aim of this work, which is to use shifting attitudes to the practice as a means of investigating the nature of Ancien Regime political culture and some of the dramatic and profound changes it experienced in the years separating Louis XIII's dramatic seizure of power from the French Revolution.

Routes and Realms explores the ways in which Muslims expressed attachment to land from the ninth through the eleventh centuries, the earliest period of intensive written production in Arabic. In this groundbreaking first book, Zayde Antrim develops a "discourse of place," a framework for approaching formal texts devoted to the representation of territory across genres. The discourse of place included such varied works as topographical histories, literary anthologies, religious treatises, world geographies, poetry, travel literature, and maps.
By closely reading and analyzing these works, Antrim argues that their authors imagined plots of land primarily as homes, cities, and regions and associated them with a range of claims to religious and political authority. She contends that these are evidence of the powerful ways in which the geographical imagination was tapped to declare loyalty and invoke belonging in the early Islamic world, reinforcing the importance of the earliest regional mapping tradition in the Islamic world.
Routes and Realms challenges a widespread tendency to underestimate the importance of territory and to over-emphasize the importance of religion and family to notions of community and belonging among Muslims and Arabs, both in the past and today.

Christopher Gill provides a new translation and commentary on the first half of Marcus Aurelius' Meditations, and a full introduction to the Meditations as a whole. The Meditations constitute a unique and remarkable work, a reflective diary or notebook by a Roman emperor, that is based on Stoic philosophy but presented in a highly distinctive way. Gill focuses on the philosophical content of the work, especially the question of how far it is consistent with Stoic theory as we know this from other sources. He argues that the Meditations are largely consistent with Stoic theory-more than has been often supposed. The work draws closely on core themes in Stoic ethics and also reflects Stoic thinking on the links between ethics and psychology or the study of nature. To make sense of the Meditations, it is crucial to take into account its overall aim, which seems to be to help Marcus himself take forward his own ethical development by creating occasions for reflection on key Stoic themes that can help to guide his life. This new edition will help students and scholars of ancient philosophy make sense of a work whose intellectual content and status have often been found puzzling. Along with volumes in the Clarendon Later Ancient Philosophers series on Epictetus and Seneca, it will help to chart the history of Stoic philosophy in the first and second century AD. The translation is designed to be accessible to modern readers and all Greek and Latin are translated in the introduction and commentary.

Guan Yu was a minor general in the early third century CE, who supported one of numerous claimants to the throne. He was captured and executed by enemy forces in 219. He eventually became one the most popular and influential deities of imperial China under the name Lord Guan or Emperor Guan, of the same importance as the Buddhist bodhisattva Guanyin. This is a study of his cult, but also of the tremendous power of oral culture in a world where writing became increasingly important. In this study, we follow the rise of the deity through his earliest stage as a hungry ghost, his subsequent adoption by a prominent Buddhist monastery during the Tang (617-907) as its miraculous supporter, and his recruitment by Daoist ritual specialists during the Song dynasty (960-1276) as an exorcist general. He was subsequently known as a rain god, a protector against demons and barbarians, and, eventually, a moral paragon and almost messianic saviour. Throughout his divine life, the physical prowess of the deity, more specifically Lord Guan's ability to use violent action for doing good, remained an essential dimension of his image. Most research ascribes a decisive role in the rise of his cult to the literary traditions of the Three Kingdoms, best known from the famous novel by this name. This book argues that the cult arose from oral culture and spread first and foremost as an oral practice.

Female characters assumed increasing prominence in the narratives of nineteenth- and early twentieth-century opera. And for contemporary audiences, many of these characters - and the celebrated women who played them - still define opera at its finest and most searingly affective, even if storylines leave them swooning and faded by the end of the drama. The presence and representation of women in opera has been addressed in a range of recent studies that offer valuable insights into the operatic stage as cultural space, focusing a critical lens at the text and the position and signification of female characters. Moving that lens onto the historical, The Arts of the Prima Donna in the Long Nineteenth Century sheds light on the singers who created and inhabited these roles, the flesh-and-blood women who embodied these fabled "doomed women" onstage before an audience. Editors Rachel Cowgill and Hilary Poriss lead a cast of renowned contributors in an impressive display of current approaches to the lives, careers, and performances of female opera singers. Essential theoretical perspectives reflect several broad themes woven through the volume-cultures of celebrity surrounding the female singer; the emergence of the quasi-mythical figure of the diva; explorations of the intricate and sundry arts associated with the prima donna, and with her representation in other media; and the diversity and complexity of contemporary responses to her. The prima donna influenced compositional practices, determined musical and dramatic interpretation, and affected management decisions about the running of the opera house, content of the season, and employment of other artists - a clear demonstration that her position as "first woman" extended well beyond the boards of the operatic stage itself. The Arts of the Prima Donna in the Long Nineteenth Century is an important addition to the collections of students and researchers in opera studies, nineteenth-century music, performance and gender/sexuality studies, and cultural studies, as well as to the shelves of opera singers and enthusiasts.