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The Cinema and Its Shadow - Race and Technology in Early Cinema (Paperback, New)
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The Cinema and Its Shadow - Race and Technology in Early Cinema (Paperback, New)
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The Cinema and Its Shadow argues that race has defined the
cinematic apparatus since the earliest motion pictures, especially
at times of technological transition. In particular, this work
explores how racial difference became central to the resolving of
cinematic problems: the stationary camera, narrative form, realism,
the synchronization of image and sound, and, perhaps most
fundamentally, the immaterial image—the cinema’s “shadow,”
which figures both the material reality of the screen image and its
racist past. Discussing early “race subjects,” Alice Maurice
demonstrates that these films influenced cinematic narrative in
lasting ways by helping to determine the relation between stillness
and motion, spectacle and narrative drive. The book examines how
motion picture technology related to race, embodiment, and
authenticity at specific junctures in cinema’s development,
including the advent of narratives, feature films, and sound. In
close readings of such films as The Cheat, Shadows, and
Hallelujah!, Maurice reveals how the rhetoric of race repeatedly
embodies film technology, endowing it with a powerful mix of
authenticity and magic. In this way, the racialized subject became
the perfect medium for showing off, shoring up, and reintroducing
the cinematic apparatus at various points in the history of
American film. Moving beyond analyzing race in purely thematic or
ideological terms, Maurice traces how it shaped the formal and
technological means of the cinema.
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