This is a very readable, useful and above all, deeply historical
account of some of the defining tropes in art history and
performance today. Written by world renowned feminist art
historian, Amelia Jones, this genealogy is a key work bridging art
historical and performance studies approaches. Each chapter
includes 'Ruptures' - bursts of intimately written accounts of
experiences of performance (and related interludes) - which help
make the content accessible.
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