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Moving Images - Psychoanalytic reflections on film (Hardcover, New)
Loot Price: R4,858
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Moving Images - Psychoanalytic reflections on film (Hardcover, New)
Series: The New Library of Psychoanalysis 'Beyond the Couch' Series
Expected to ship within 12 - 17 working days
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The experience of watching films - entertaining, moving,
instructive, frightening or exciting as they may be - can be
enriched by the opportunity to reflect upon them from
unconventional perspectives.Psychoanalytic Reflections on Film:
Moving Images offers its readers in an accessible language one such
viewpoint, informed by Andrea Sabbadini's psychoanalytic insights
and therapeutic experience. Using a psychoanalytic interpretative
approach, some twenty-five important feature films are discussed as
the artistic vehicles of new, unsuspected meanings. The first
chapter looks at films which represent psychoanalytic work itself,
having therapists and their patients as their main characters. The
remaining five chapters cover movies on themes of central concern
to analytic theorists and clinicians, such as childhood and
adolescent development, and varieties of intimate relationships
among adults. The latter include romantic love and its disturbing
association to death fantasies; eroticism and prostitution; and
voyeuristic desire - a significant phenomenon in this context given
its parallels with the activity of watching films. Andrea
Sabbadini's psychoanalytic approach, which explores the part played
by unconscious factors in shaping the personality and behaviour of
film characters, is used to interpret their internal world and the
emotional conflicts engendered by the vicissitudes they live
through. The book is completed by a filmography and biographical
notes on film directors. Psychoanalytic Reflections on Film
presents the relationship between cinema and psychoanalysis as a
complex one. These two most different of cultural phenomena are
shown to share a wish on the part of their practitioners to uncover
profound truths about the human condition, and to provide a
language with which to describe them. Going beyond futile
'psycho-historical' attempts to analyse filmmakers through their
products, or a superficial application of psychoanalytic concepts
to film, Sabbadini shows how both cinema and psychoanalysis can
benefit from a meaningful interdisciplinary dialogue between them.
The book will be of special interest to practicing psychoanalysts
and students, scholars and historians of film studies.
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