Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Stage, Stake, and Scaffold - Humans and Animals in Shakespeare's Theatre (Hardcover)
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Stage, Stake, and Scaffold - Humans and Animals in Shakespeare's Theatre (Hardcover)
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The powerful exchanges between stage, stake, and scaffold - the
theatre, the bear garden and the spectacle of public execution -
crucially informed Shakespeare's explorations into the construction
and workings of 'the human'. The theatre's family resemblance to
animal baiting and the spectacle of punishment, its sharing of the
same basic type of performance space - a theatre-in-the-round, a
scaffold, stake or platform surrounded by spectators - bred an
ever-ready potential for a transfer of images and meanings. The
staging of one of these kinds of performance is always framed by an
awareness of the other two, whose presence is never quite erased
and often, indeed, emphatically foregrounded. Situating
Shakespearean drama within its material environment, Andreas Hofele
explores how this spill-over affects the way Shakespeare models his
human characters and his understanding of 'human character' in
general. His dramatis personae are infused with a degree of
animality that a later, more specifically Cartesian, anthropology
would categorically efface. Readings based on such an anthropology
tend to reduce Shakespeare's teeming multitude of animal references
to a stable marker of moral, social, and ontological difference,
'beast' being everything 'man' is not or ought not to be. In
contrast, Hofele argues that Shakespearean notions of humanity rely
just as much on inclusion as on exclusion of the animal. Humans and
animals face each other across the species divide, but the divide
proves highly permeable.
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