The Popular Music Studies Reader maps the changing nature of
popular music over the last decade and considers how popular music
studies has expanded and developed to deal with these changes.
A wide range of international contributors featuring some of the
biggest names in popular music and cultural studies including
Philip Auslander, Paul Gilroy and Kodwo Eshun and discuss:
* the increasing participation of women in the industry
* the changing role of gender and sexuality in popular music
* the role of new technologies, especially in production and
distribution
* the changing nature of the relationship between music production
and consumption.
The Popular Music Studies Reader places popular music in its
cultural context, looks at the significance of popular music in our
everyday lives, and examines the global nature of the music
industry.
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