"Literature and the Relational Self is a tribute to the rich
complexity of human nature--as poets, novelists, and relational
models of contemporary psychoanalysis mutually attest."
--"Psychoanalytic Psychologist"
While psychoanalytic relational perspectives have had a major
impact on the clinical world, their value for the field of literary
study has yet to be fully recognized. This important book offers a
broad overview of relational concepts and theories, and it examines
their implications for understanding literary and aesthetic
experience as it reviews feminist applications of relational-model
theories, and considers D. W. Winnicott's influential ideas about
creativity and symbolic play.
The eight incisive essays in this volume apply these concepts to
a close reading of various nineteenth and twentieth-century
literary texts: an essay on Wordsworth, for instance, explores the
poet's writing on the imagination in light of Winnicott's ideas
about transitional phenomena, while an essay on Woolf and Lawrence
compares identity issues in their work from the perspective of
feminist object relations theories.
The cultural influences that have led to the development of the
relational paradigm in the sciences at this particular historical
moment have also affected contemporary art and literature. Essays
on John Updike, Toni Morrison, Ann Beattie, and Alice Hoffman
examine self-other relational dynamics in their texts that reflect
larger cultural patterns characteristic of our time. The author
reviews feminist applications of relational-model theories and
applies these models to works by William Wordsworth, Virginia
Woolf, John Updike, Toni Morrison, and others.
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