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Desires of Credit in Early Modern Theory and Drama - Commerce, Poesy, and the Profitable Imagination (Paperback)
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Desires of Credit in Early Modern Theory and Drama - Commerce, Poesy, and the Profitable Imagination (Paperback)
Series: Studies in Performance and Early Modern Drama
Expected to ship within 12 - 17 working days
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Desires of Credit in Early Modern Theory and Drama traces the
near-simultaneous rise of economic theory, literary criticism, and
public theater in London at the turn of the seventeenth century,
and posits that connecting all three is a fascination with creating
something out of nothing simply by acting as if it were there.
Author Brian Sheerin contends that the motivating force behind both
literary and economic inquiry at this time was the same basic
quandary about the human imagination--specifically, how investments
of belief can produce tangible consequences. Just as speculators
were realizing the potency of collective imagination on economic
circulation, readers and dramatists were becoming newly
introspective about whether or not the 'lies' of literature could
actually be morally 'profitable.' Could one actually benefit by
taking certain fictions 'seriously'? Each of the five chapters
examines a different dimension of this question by highlighting a
particular dramatization of economic trust on the Renaissance
stage, in plays by Marlowe, Shakespeare, Heywood, Dekker, and
Jonson. The book fills a gap in current scholarship by keeping
economic and dramatic interests rigorously grounded in early modern
literary criticism, but also by emphasizing the productive nature
of debt in a way that resonates with recent economic sociology.
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