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Black Pulp - Genre Fiction in the Shadow of Jim Crow (Hardcover)
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Black Pulp - Genre Fiction in the Shadow of Jim Crow (Hardcover)
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A deep dive into mid-century African American newspapers, exploring
how Black pulp fiction reassembled genre formulas in the service of
racial justice In recent years, Jordan Peele's Get Out, Marvel's
Black Panther, and HBO's Watchmen have been lauded for the
innovative ways they repurpose genre conventions to criticize white
supremacy, celebrate Black resistance, and imagine a more racially
just world-important progressive messages widely spread precisely
because they are packaged in popular genres. But it turns out, such
generic retooling for antiracist purposes is nothing new. As Brooks
E. Hefner's Black Pulp shows, this tradition of antiracist genre
revision begins even earlier than recent studies of Black superhero
comics of the 1960s have revealed. Hefner traces it back to a
phenomenon that began in the 1920s, to serialized (and sometimes
syndicated) genre stories written by Black authors in Black
newspapers with large circulations among middle- and working-class
Black readers. From the pages of the Pittsburgh Courier and the
Baltimore Afro-American, Hefner recovers a rich archive of African
American genre fiction from the 1920s through the
mid-1950s-spanning everything from romance, hero-adventure, and
crime stories to westerns and science fiction. Reading these
stories, Hefner explores how their authors deployed, critiqued, and
reassembled genre formulas-and the pleasures they offer to
readers-in the service of racial justice: to criticize Jim Crow
segregation, racial capitalism, and the sexual exploitation of
Black women; to imagine successful interracial romance and
collective sociopolitical progress; and to cheer Black agency, even
retributive violence in the face of white supremacy. These popular
stories differ significantly from contemporaneous, now-canonized
African American protest novels that tend to represent Jim Crow
America as a deterministic machine and its Black inhabitants as
doomed victims. Widely consumed but since forgotten, these genre
stories-and Hefner's incisive analysis of them-offer a more vibrant
understanding of African American literary history.
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