Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900
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Pictures-within-Pictures in Nineteenth-Century Britain (Hardcover, New Ed)
Loot Price: R4,314
Discovery Miles 43 140
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Pictures-within-Pictures in Nineteenth-Century Britain (Hardcover, New Ed)
Series: Studies in Art Historiography
Expected to ship within 12 - 17 working days
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Repainting the work of another into one's own canvas is a
deliberate and often highly fraught act of reuse. This book
examines the creation, display, and reception of such images.
Artists working in nineteenth-century London were in a peculiar
position: based in an imperial metropole, yet undervalued by their
competitors in continental Europe. Many claimed that Britain had
yet to produce a viable national school of art. Using
pictures-within-pictures, British painters challenged these claims
and asserted their role in an ongoing visual tradition. By
transforming pre-existing works of art, they also asserted their
own painterly abilities. Recognizing these statements provided
viewers with pleasure, in the form of a witty visual puzzle solved,
and with prestige, in the form of cultural knowledge demonstrated.
At stake for both artist and audience in such exchanges was status:
the status of the painter relative to other artists, and the status
of the viewer relative to other audience members. By considering
these issues, this book demonstrates a new approach to images of
historic displays. Through examinations of works by J.M.W. Turner,
John Everett Millais, John Scarlett Davis, Emma Brownlow King, and
William Powell Frith, this book reveals how these small passages of
paint conveyed both personal and national meanings.
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