An anarchist by temperament, the beautiful and talented Ding
Ling attempted to find her way in the world alone. She had a few
female friends and a few significant male others, but she rebelled
against her family. Most importantly, she rebelled against the
Chinese Communist Party to which she desperately hoped to belong.
The first part of a comprehensive biography of the major 20th
century Chinese author, Ding Ling, this work draws not only on her
memoirs, but on numerous secondary sources, many of which have
become available only in the last two decades.
Though born into a wealthy family, Jiang Bingzi was raised by
her mother after the untimely death of her father. She went to
school in the May 4 era, when protest was in the air, the radical
ideas of Mao were already in print, and her idol, Lu Xun, was
making his literary mark. In her late teens she renounced her
engagement, changed her name, and fled to Shanghai where she
embraced the anarchist movement. The loss of her brother and
lifelong friend, Wang Jianhong, and the loss of her significant
other, Hu Yepin, all threw her into various states of depression,
not to mention her own abduction by the Guomindang.
Nevertheless, Ding Ling wrote her way out of despair and into
the public limelight. Her first collection of short stories, "In
the Darkness, " made her famous because of its profound grasp of
feminine psychology and its daring treatment of human sexuality.
But when Ding Ling attempted to dispel the darkness in Yan'an, she,
like everyone else, was told by Mao in his famous "Talks" to focus
on the light. Ding Ling made all the necessary adjustments,
literary and political. She survived the rectification campaign and
mastered proletarian fiction. Mao loved her novel "The Sun Shines
on the Sanggan" so much that he ranked her third among
contemporaries. Soon, she was traveling to Eastern Europe and to
Moscow where she consulted with Soviet notables. With the founding
of the People's Republic, it appeared her star was on the rise.
This study of Ding Ling and China's literary environment in the
first half of the 20th century will be useful to scholars and
students of contemporary Chinese history, literature, and women's
studies.
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