Shortlisted for the 2008 Katharine Briggs Award.
For centuries the witch has been a powerful figure in the
European imagination; but the creation of this figure has been
hidden from our view. Charles Zika s groundbreaking study
investigates how the visual image of the witch was created in late
fifteenth- and sixteenth-century Europe. He charts the development
of the witch as a new visual subject, showing how the traditional
imagery of magic and sorcery of medieval Europe was transformed
into the sensationalist depictions of witches in the pamphlets and
prints of the sixteenth century.
This book shows how artists and printers across the period
developed key visual codes for witchcraft, such as the cauldron and
the riding of animals. It demonstrates how influential these were
in creating a new iconography for representing witchcraft,
incorporating themes such as the power of female sexuality, male
fantasy, moral reform, divine providence and punishment, the
superstitions of non-Christian peoples and the cannibalism of the
New World.
Lavishly illustrated and encompassing in its approach, The
Appearance of Witchcraft is the first systematic study of the
visual representation of witchcraft in the later fifteenth and
sixteenth centuries. It will give the reader a unique insight into
how the image of the witch evolved in the early modern world.
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