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Sculptors and Design Reform in France, 1848 to 1895 - Sculpture and the Decorative Arts (Hardcover, New Ed)
Loot Price: R3,890
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Sculptors and Design Reform in France, 1848 to 1895 - Sculpture and the Decorative Arts (Hardcover, New Ed)
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Challenging distinctions between fine and decorative art, this book
begins with a critique of the Rodin scholarship, to establish how
the selective study of his oeuvre has limited our understanding of
French nineteenth-century sculpture. The book's central argument is
that we need to include the decorative in the study of sculpture,
in order to present a more accurate and comprehensive account of
the practice and profession of sculpture in this period. Drawing on
new archival sources, sculptors and objects, this is the first
sustained study of how and why French sculptors collaborated with
state and private luxury goods manufacturers between 1848 and 1895.
Organised chronologically, the book identifies three
historically-situated frameworks, through which sculptors attempted
to validate themselves and their work in relation to industry:
industrial art, decorative art and objet d'art. Detailed readings
are offered of sculptors who operated within and outside the Salon,
including Sevin, Cheret, Carrier-Belleuse and Rodin; and of diverse
objects and materials, from Sevres vases, to pewter plates by
Desbois, and furniture by Barbedienne and Carabin. By contesting
the false separation of art from industry, Claire Jones's study
restores the importance of the sculptor-manufacturer relationship,
and of the decorative, to the history of sculpture.
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