Addressed to students of the image-both art historians and students
of visual studies-this book investigates the history and nature of
time in a variety of different environments and media as well as
the temporal potential of objects. Essays will analyze such topics
as the disparities of power that privilege certain forms of
temporality above others, the nature of temporal duration in
different cultures, the time of materials, the creation of
pictorial narrative, and the recognition of anachrony as a form of
historical interpretation.
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