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Visualizing the Holocaust - Documents, Aesthetics, Memory (Paperback)
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Visualizing the Holocaust - Documents, Aesthetics, Memory (Paperback)
Series: Screen Cultures: German Film and the Visual
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Collection of essays exploring the controversies surrounding images
of the Holocaust. Visual representations are an essential but
highly contested means of understanding and remembering the
Holocaust. Photographs taken in the camps in early 1945 provided
proof of and visceral access to the atrocities. Later
visualrepresentations such as films, paintings, and art
installations attempted to represent this extreme trauma. While
photographs from the camps and later aesthetic reconstructions
differ in origin, they share goals and have raised similar
concerns: the former are questioned not as to veracity but due to
their potential inadequacy in portraying the magnitude of events;
the latter are criticized on the grounds that the mediation they
entail is unacceptable. Some have even questioned any attempt to
represent the Holocaust as inappropriate and dangerous to
historical understanding. This book explores the taboos that
structure the production and reception of Holocaust images and the
possibilities that result from the transgression of those taboos.
Essays consider the uses of various visual media, aesthetic styles,
and genres in representations of the Holocaust; the uses of
perpetrator photography; the role of trauma in memory; aesthetic
problems of mimesis and memory in the work of Lanzmann, Celan, and
others; and questions about mass-cultural representations of the
Holocaust. David Bathrick is Emeritus Professor of German at
Cornell University, Brad Prager is Associate Professor of German at
the University of Missouri, and Michael D. Richardson is Associate
Professor of German at Ithaca College.
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