Davor Konjikusic offers an in-depth presentation and
contextualization of the photographs created by Yugoslav partisans
between 1941 and 1945. The book goes beyond an aesthetic depiction
of the photographs; it also deals with the history of their use and
function within one of the biggest anti-fascist movements in Europe
during the Second World War. The photographs are used to trace the
development of a movement that-while seemingly doomed to certain
failure-nevertheless survived the most destructive war in human
history. This book provides new answers to the question of
photography's role as a medium and its significance and use in
social movements.
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