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Grief and Genre in American Literature, 1790-1870 (Hardcover, New Ed)
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Grief and Genre in American Literature, 1790-1870 (Hardcover, New Ed)
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Focusing on the role of genre in the formation of dominant
conceptions of death and dying, Desiree Henderson examines literary
texts and social spaces devoted to death and mourning in
eighteenth- and nineteenth-century America. Henderson shows how
William Hill Brown, Susanna Rowson, and Hannah Webster borrowed
from and challenged funeral sermon conventions in their novelistic
portrayals of the deaths of fallen women; contrasts the eulogies
for George Washington with William Apess's "Eulogy for King Philip"
to expose conflicts between national ideology and indigenous
history; examines Frederick Douglass's use of the slave cemetery to
represent the costs of slavery for African American families;
suggests that the ideas about democracy materialized in Civil War
cemeteries and monuments influenced Walt Whitman's war elegies; and
offers new contexts for analyzing Elizabeth Stuart Phelps's The
Gates Ajar and Emily Dickinson's poetry as works that explore the
consequences of female writers claiming authority over the mourning
process. Informed by extensive archival research, Henderson's study
eloquently speaks to the ways in which authors adopted, revised, or
rejected the conventions of memorial literature, choices that
disclose their location within decisive debates about appropriate
gender roles and sexual practices, national identity and
citizenship, the consequences of slavery, the nature of democratic
representation, and structures of authorship and literary
authority.
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