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Visualizing Harbours in the Classical World - Iconography and Representation around the Mediterranean (Hardcover)
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Visualizing Harbours in the Classical World - Iconography and Representation around the Mediterranean (Hardcover)
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In recent years, there has been intense debate about the reality
behind the depiction of maritime cityscapes, especially harbours.
Visualizing Harbours in the Classical World argues that the
available textual and iconographic evidence supports the argument
that these representations have a symbolic, rather than literal,
meaning and message, and moreover that the traditional view, that
all these media represent the reality of the contemporary
cityscapes, is often unrealistic. Bridging the gap between
archaeological sciences and the humanities, it ably integrates
iconographic materials, epigraphic sources, history and
archaeology, along with visual culture. Focusing on three main
ancient ports - Alexandria, Rome and Leptis Magna - Federico
Ugolini considers a range of issues around harbour iconography,
from the triumphal imagery of monumental harbours and the symbolism
of harbour images, their identification across the Mediterranean,
and their symbolic, ideological and propagandistic messages, to the
ways in which aspects of Imperial authority and control over the
seas were expressed in the iconography of the Julio-Claudian,
Trajan and Severii periods, how they reflected the repute, growth
and power of the mercantile class during the Imperial era, and how
the use of imagery reflected euergetism and paideia, which would
inform the Roman audience about who had power over the sea.
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