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Shakespeare's Tempest and Capitalism - The Storm of History (Paperback)
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Shakespeare's Tempest and Capitalism - The Storm of History (Paperback)
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In this forceful study, Helen C. Scott situates The Tempest within
Marxist analyses of the 'primitive accumulation' of capital, which
she suggests help explain the play's continued and particular
resonance. The 'storm' of the title refers both to Shakespeare's
Tempest hurtling through time, and to Walter Benjamin's concept of
history as a succession of violent catastrophes. Scott begins with
an account of the global processes of dispossession-of the
peasantry and indigenous populations-accompanying the emergence of
capitalism, which generated new class relationships, new
understandings of human subjectivity, and new forms of oppression
around race, gender, and disability. Developing a detailed reading
of the play at its moment of production in the business of theatre
in 1611, Scott then moves gracefully through the global reception
history, showing how its central thematic concerns and figurative
patterns bespeak the upheavals and dispossessions of successive
stages of capitalist development. Paying particular attention to
moments of social crisis, and unearthing a radical political
tradition, Scott follows the play from its hostile takeover in the
Restoration, through its revival by the Romantics, and
consolidation and contestation in the nineteenth century. In the
twentieth century transatlantic modernism generated an acutely
dystopic Tempest, then during the global transformations of the
1960s postcolonial writers permanently associated it with
decolonization. At century's end the play became a vehicle for
exploring intersectional oppression, and the remarkable 'Sycorax
school' featured iconoclastic readings by writers such as Abena
Busia, May Joseph, and Sylvia Wynter. Turning to both popular
culture and high-profile stage productions in the twenty-first
century, Scott explores the ramifications and figurative potential
of Shakespeare's Tempest for global social and ecological crises
today. Sensitive to the play's original concerns and informed by
recent scholarship on performance and reception history as well as
disability studies, Scott's moving analysis impels readers towards
a fresh understanding of sea-change and metamorphosis as potent
symbols for the literal and figurative tempests of capitalism's old
age now threatening 'the great globe itself.'
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