The book examines the perception of the organist as the most
influential musical figure in Victorian society through the
writings of Thomas Hardy and Robert Browning. This will be the
first book in the burgeoning area of research into the relationship
of music and literature that examines the societal perceptions of a
figure central to civic life in Victorian England. This book is
deliberately interdisciplinary and will be of special interest to
literature scholars and students of Victorian studies, culture,
society, religion, gender studies, and music. However, the nature
of the text does not require specialist knowledge of music.
General
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