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Artaud the Moma (Paperback)
Loot Price: R510
Discovery Miles 5 100
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Artaud the Moma (Paperback)
Series: Columbia Themes in Philosophy, Social Criticism, and the Arts
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Loot Price R510
Discovery Miles 5 100
Expected to ship within 12 - 17 working days
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In 1996 Jacques Derrida gave a lecture at the Museum of Modern Art
in New York on the occasion of Antonin Artaud: Works on Paper, one
of the first major international exhibitions to present the
avant-garde dramatist and poet's paintings and drawings. Derrida's
original title, "Artaud the Moma," is a characteristic play on
words. It alludes to Artaud's calling himself Momo, Marseilles
slang for "fool," upon his return to Paris in 1946 after nine years
in various asylums while playing off of the museum's nickname,
MoMA. But the title was not deemed "presentable or decent," in
Derrida's words, by the very institution that chose to exhibit
Artaud's work. Instead, the lecture was advertised as "Jacques
Derrida ...will present a lecture about Artaud's drawings." For
Derrida, what was at stake was what it meant for the museum to
exhibit Artaud's drawings and for him to lecture on Artaud in that
institutional context. Thinking over the performative force of
Artaud's work and the relation between writing and drawing, Derrida
addresses the multiplicity of Artaud's identities to confront the
modernist museum's valorizing of originality. He channels Artaud's
specter, speech, and struggle against representation to attempt to
hold the museum accountable for trying to confine Artaud within its
categories. Artaud the Moma, as lecture and text, reveals the
challenge that Artaud posed to Derrida-and to art and its
institutional history. A powerful interjection into the museum
halls, this work is a crucial moment in Derrida's thought and an
insightful, unsparing reading of a challenging writer and artist.
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