In this volume, an international group of contributors presents
new perspectives on narrative. Using David Herman's 1999 definition
of "postclassical narratology" from Narratologies: New Perspectives
on Narrative Analysis (OSUP) as their launching point, these eleven
essayists explore the various ways in which new approaches overlap
and interrelate to form new ways of understanding narrative texts.
Postclassical narratology has reached a new phase of consolidation
but also continued diversification. This collection therefore
discriminates between what one could call a critical but
frame-abiding and a more radical frame-transcending or
frame-shattering handling of the structuralist paradigm.
Postclassical Narratology: Approaches and Analyses discusses a
large variety of different aspects of narrative, such as extensions
of classical narratology, new generic applications (autobiography,
oral narratives, poetry, painting, and film), the history of
narratology, the issue of fictionality, the role of cognition, and
questions of authorship and authority, as well as thematic matters
related to ethics, gender, and queering. Additionally, it uses a
wide spectrum of critical approaches, including feminism,
psychoanalysis, media studies, the rhetorical theory of narrative,
unnatural narratology, and cognitive studies. In this manner the
essays manage to produce new insights into many key issues in
narratology.
The contributors also demonstrate that narratologists nowadays
see the object of their research as more variegated than was the
case twenty years ago: they resort to a number of different methods
in combination when approaching a problem, and they tend to ground
their analyses in a rich contextual framework.
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