In 1958, the US director John Huston asked Jean-Paul Sartre to
write a scenario for a film about Sigmund Freud. Huston wanted
Sartre to concentrate on the conflict-ridden period of Freud's life
when he abandoned hypnosis and invented psychoanalysis. The Freud
Scenario, discovered in Sartre's papers after his death, is the
result--a deft portrait of a man engaged in a personal and
intellectual struggle that would prove a turning point in
twentieth-century thought.
Sartre did not regard this script as a diversion from his larger
intellectual project. Freud's preoccupations with female hysteria
and the father relationship touched on major themes in his own
work, and Loser Wins, The Family Idiot and Words, some of Sartre's
most celebrated publications, are all in some way derived from his
work for Huston.
Written for a Hollywood audience, The Freud Scenario
demonstrates that, in addition to a towering intellect, Sartre
enjoyed a genuine popular touch. Already widely acclaimed in
France, The Freud Scenario stands as a valuable testament to two of
the most influential minds in modern history.
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