Women and Visual Replication in Roman Imperial Art and Culture (Paperback)

Why did Roman portrait statues, famed for their individuality, repeatedly employ the same body forms? The complex issue of the Roman copying of Greek 'originals' has so far been studied primarily from a formal and aesthetic viewpoint. Jennifer Trimble takes a broader perspective, considering archaeological, social historical and economic factors, and examines how these statues were made, bought and seen. To understand how Roman visual replication worked, Trimble focuses on the 'Large Herculaneum Woman' statue type, a draped female body particularly common in the second century CE and surviving in about two hundred examples, to assess how sameness helped to communicate a woman's social identity. She demonstrates how visual replication in the Roman Empire thus emerged as a means of constructing social power and articulating dynamic tensions between empire and individual localities.

General

Imprint:	Cambridge UniversityPress
Country of origin:	United Kingdom
Series:	Greek Culture in the Roman World
Release date:	October 2016
Authors:	Jennifer Trimble
Dimensions:	245 x 170 x 23mm (L x W x T)
Format:	Paperback - Trade
Pages:	500
ISBN-13:	978-1-316-63026-6
Categories:	Books > Arts & Architecture > History of art / art & design styles > BC to 500 CE, Ancient & classical world Books > Arts & Architecture > Art forms, treatments & subjects > Sculpture & other three-dimensional art forms > Sculpture Books > Humanities > History > World history > BCE to 500 CE Books > Social sciences > Sociology, social studies > Gender studies > Women's studies > General Books > History > World history > BCE to 500 CE
LSN:	1-316-63026-9
Barcode:	9781316630266

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