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Books > Arts & Architecture > Photography & photographs > Special kinds of photography > Video photography

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Static Films and Moving Pictures - Montage in Avant-Garde Photography and Film (Paperback) Loot Price: R2,934
Discovery Miles 29 340
You Save: R251 (8%)
Static Films and Moving Pictures - Montage in Avant-Garde Photography and Film (Paperback): Jennifer Valcke

Static Films and Moving Pictures - Montage in Avant-Garde Photography and Film (Paperback)

Jennifer Valcke

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List price R3,185 Loot Price R2,934 Discovery Miles 29 340 | Repayment Terms: R275 pm x 12* You Save R251 (8%)

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Doctoral Thesis / Dissertation from the year 2008 in the subject Art - Photography and Film, grade: cum laude, University of Edinburgh, language: English, abstract: Photomontage has more to do with film than with any other art form - they have in common the technique of montage. (Sergei Tretyakov) By considering that photomontage and film use the technique of cutting and gluing as dominant artistic device, and that montage, a technique unifying art and technology for the first time, emerged as a dominant artistic feature of the avant-garde, this thesis will explore the ideological and perceptual implications of its advent in avant-garde art and film. The technological advances of the beginning of the twentieth century, and particularly the advent of photography, allowed avant-garde artists to break free from traditional concepts of artistic production - they dispensed with the old criteria of uniqueness, originality, handicraft and personal style. At a time when many avant-garde artists abruptly ceased to paint, photomontage emerged as the privileged locus for a caesura with traditional art forms. Photomontage envisioned film aesthetics insofar as it combines and juxtaposes images of various perspectival planes and angles (Raoul Hausmann described his early photomontages as "motionless moving pictures"). A corresponding observation can be made on the use of montage in cinema, a technique which crucially underpins the illusion of movement created through the succession of photographic stills. The present thesis will investigate photomontage and film in order to examine the effect technological reproduction played in revolutionising artistic production, perception and ideology - where the technique and philosophy of montage was key.

General

Imprint: Grin Verlag
Country of origin: United States
Release date: October 2011
First published: September 2013
Authors: Jennifer Valcke
Dimensions: 210 x 148 x 15mm (L x W x T)
Format: Paperback - Trade
Pages: 268
ISBN-13: 978-3-656-03720-0
Categories: Books > Arts & Architecture > Art forms, treatments & subjects > Other graphic art forms > General
Books > Arts & Architecture > Photography & photographs > Special kinds of photography > Cinematography, television camerawork
Books > Arts & Architecture > Photography & photographs > Special kinds of photography > Video photography
Books > Arts & Architecture > Performing arts > Films, cinema > General
LSN: 3-656-03720-5
Barcode: 9783656037200

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