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Feeling Pleasures - The Sense of Touch in Renaissance England (Paperback)
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Feeling Pleasures - The Sense of Touch in Renaissance England (Paperback)
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The sense of touch had a deeply uncertain status in the sixteenth
and seventeenth centuries. It had long been seen as the most
certain and reliable of the senses, and also as biologically
necessary: each of the other senses could be relinquished, but to
lose touch was to lose life itself. Alternatively, touch was seen
as dangerously bodily, and too fully involved in sensual and sexual
pleasures, to be of true worth. Feeling Pleasures argues that this
tension came to the fore during the English Renaissance, and
allowed some of the central debates of this period-surrounding the
nature of human experience, of the material world, and of the
relationship between the human and the divine-to proceed through
discussions of touch. It also argues that the unstable status of
touch was of particular import to the poetry of this period. By
bringing touch to the fore in a period usually associated with the
dominance of vision and optics, Joe Moshenska offers
reconsiderations of major English poets, especially Edmund Spenser
and John Milton, while exploring a range of spheres in which touch
assumed new significance. These include theological debates
surrounding relics and the Eucharist in the work of Erasmus, Thomas
Cranmer and Lancelot Andrewes; the philosophical history of
tickling; the touching of paintings and sculptures in a European
context; faith healing and experimental science; and the early
reception of Chinese medicine in England.
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