What fueled the Victorian passion for hair-jewelry and memorial
rings? When would an everyday object metamorphose from commodity to
precious relic? In "Portable Property," John Plotz examines the new
role played by portable objects in persuading Victorian Britons
that they could travel abroad with religious sentiments, family
ties, and national identity intact. In an empire defined as much by
the circulation of capital as by force of arms, the challenge of
preserving Englishness while living overseas became a central
Victorian preoccupation, creating a pressing need for objects that
could readily travel abroad as personifications of Britishness. At
the same time a radically new relationship between cash value and
sentimental associations arose in certain resonant mementoes--in
teacups, rings, sprigs of heather, and handkerchiefs, but most of
all in books.
"Portable Property" examines how culture-bearing objects came to
stand for distant people and places, creating or preserving a sense
of self and community despite geographic dislocation. Victorian
novels--because they themselves came to be understood as the
quintessential portable property--tell the story of this change
most clearly. Plotz analyzes a wide range of works, paying
particular attention to George Eliot's "Daniel Deronda," Anthony
Trollope's "Eustace Diamonds," and R. D. Blackmore's "Lorna Doone."
He also discusses Thomas Hardy and William Morris's vehement attack
on the very notion of cultural portability. The result is a richer
understanding of the role of objects in British culture at home and
abroad during the Age of Empire.
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