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Cultural Graphology - Writing after Derrida (Paperback)
Loot Price: R800
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Cultural Graphology - Writing after Derrida (Paperback)
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"Cultural Graphology" could be the name of a new human science:
this was Derrida's speculation when, in the late 1960s, he imagined
a discipline that combined psychoanalysis, deconstruction, and a
commitment to the topic of writing. He never undertook the project
himself but did leave two brief sketches of how he thought cultural
graphology might proceed. In this book, Juliet Fleming picks up
where Derrida left off. Using both his early and later thought, and
the psychoanalytic texts to which it is addressed, to examine the
print culture of early modern England, she drastically unsettles
some key assumptions of book history. Fleming shows that the single
most important lesson to survive from Derrida's early work is that
we do not know what writing is. Channeling Derrida's thought into
places it has not been seen before, she examines printed errors,
spaces, and ornaments (topics that have hitherto been marginal to
our accounts of print culture) and excavates the long-forgotten
reading practice of cutting printed books. Proposing radical
deformations to the meanings of fundamental and apparently simple
terms such as "error," "letter," "surface," and "cut," Fleming
opens up exciting new pathways into our understanding of writing
all told.
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