This is a unique and interdisciplinary study offering a fresh
perspective on recorded sound, challenging our assumptions about
reading, listening, and the processes of choice and interpretation.
The intersection of the sonic and the literary will appeal to a
range of subjects including sound studies, cultural studies, media
studies and literature. The crisp and lively writing style draws
readers into a compelling central argument regarding how media is
produced and consumed, both commercially and hermeneutically.
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