Do models of a ground-breaking art of the information age, an
"algorithmic revolution", or of a democratization of art production
still have any mileage? How do contemporary art practitioners cope
with the political situation and with the attempts of the Silicon
Valley giants to appropriate algorithmic generation of art-like
artefacts? This issue aims to discuss how computer art from the
pioneering days is now being reframed as digital, post-digital or
algorithmic art under the prevailing conditions of big data, smart
AI, an almost all-encompassing surveillance technology and a
political state of neo-liberalism.
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