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Cooperation and Conflict - GDR Theatre Censorship, 1961-1989 (Hardcover)
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Cooperation and Conflict - GDR Theatre Censorship, 1961-1989 (Hardcover)
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Despite all the evidence to the contrary, the authorities in the
German Democratic Republic always denied that they practised
censorship. In this fascinating new study, Laura Bradley explores
how the authorities' denial affected the language and experience of
theatre censorship. She shows that it left theatre practitioners
doubly exposed: they remained officially responsible for their
productions, even if the productions had passed pre-performance
controls. In the absence of a fixed set of criteria, cultural
functionaries had to make difficult judgements about which plays
and productions to allow, and where to draw the line between
constructive criticism and subversion. Drawing on a wealth of new
archive material, the study explores how theatre practitioners and
functionaries negotiated these challenges between 1961 and 1989.
The chapters in Part I explore theatre censorship in East Berlin,
asking how the controls affected different genres, and how theatre
practitioners responded to the construction of the Berlin Wall, the
Prague Spring, and the expatriation of Wolf Biermann. Part II
broadens the focus to the regions, investigating why theatre
practitioners complained of strong regional variations in theatre
censorship, and how they responded to Mikhail Gorbachev's policies
of glasnost and perestroika. By examining a range of case studies,
from banned stagings to those that met with official approval, the
book puts high-profile disputes back into context. It shows how
censorship operated through human negotiation, illuminating the
shifting patterns of cooperation and conflict that influenced the
space available for theatrical experimentation.
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