This engaging cultural history examines the emergence of a
professional identity for American women artists. By focusing on
individual sculptors, painters, and illustrators, Laura Prieto
gives us a compelling picture of the prospects and constraints
faced by women artists in the United States from the late
eighteenth century through the 1930s.
Prieto tracks the transformation from female artisans and
ladies with genteel "artistic accomplishments" to middle-class
professional artists. Domestic spaces and familial metaphors helped
legitimate the production of art by women. Expression of sexuality
and representation of the nude body, on the other hand, posed
problems for these artists. Women artists at first worked within
their separate sphere, but by the end of the nineteenth century
"New Women" grew increasingly uncomfortable with separatism,
wanting ungendered recognition. With the twentieth century came
striking attempts to reconcile domestic lives and careers with new
expectations; these decades also ruptured the women's earlier sense
of community with amateur women artists in favor of specifically
professional allegiances. This study of a diverse group of women
artists--diverse in critical reception, geographic location, race,
and social background--reveals a forgotten aspect of art history
and women's history.
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