Books > Social sciences > Psychology > The self, ego, identity, personality
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Picturing Ourselves (Paperback, New edition)
Loot Price: R956
Discovery Miles 9 560
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Picturing Ourselves (Paperback, New edition)
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Photography has transformed the way we picture ourselves. Although
photographs seem to "prove" our existence at a given point in time,
they also demonstrate the impossibility of framing our multiple and
fragmented selves. As the author of this study aims to show,
photography's double-take on self-image mirrors the concerns of
autobiographers, who see the self as simultaneously divided (in
observing/being) and unified by the autobiographical act. The book
tracks photography's impact on the formation of self-image through
the study of four literary autobiographers concerned with the
transformative power of photography. Obsessed with self-image, Mark
Twain and August Strindberg both attempted (unsuccessfully) to
integrate photographs into their autobiographies. While Twain
encouraged photographers, he was wary of fakery and kept a fierce
watch on the distribution of his photographic image. Strindberg,
believing that photographs had occult power, preferred to
photograph himself. Because of their experiences under National
Socialism, Walter Benjamin and Christa Wolf feared the dangerously
objectifying power of photographs and omitted them from their
autobiographical writings. Yet Benjamin used them in his
photographic conception of history, which had its testing ground in
his often-ignored "Berliner Kindheit um 1900". And Christa Wolf's
narrator in "Patterns of Childhood" attempts to reclaim her
childhood from the Nazis by reconstructing mental images of lost
family photographs. Confronted with multiple and conflicting images
of themselves, all four of these writers are torn between the
knowledge that texts, photographs, and indeed selves are haunted by
undecidability and the desire for the returned glance of a single
self.
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