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Monstrous Imaginaries - The Legacy of Romanticism in Comics (Paperback)
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Monstrous Imaginaries - The Legacy of Romanticism in Comics (Paperback)
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Monsters seem inevitably linked to humans and not always as mere
opposites. Maaheen Ahmed examines good monsters in comics to show
how Romantic themes from the eighteenth and the nineteenth
centuries persist in today's popular culture. Comics monsters,
questioning the distinction between human and monster, self and
other, are valuable conduits of Romantic inclinations. Engaging
with Romanticism and the many monsters created by Romantic writers
and artists such as Mary Shelley, Victor Hugo, and Goya, Ahmed maps
the heritage, functions, and effects of monsters in contemporary
comics and graphic novels. She highlights the persistence of
recurrent Romantic features through monstrous protagonists in
English- and French-Language comics and draws out their
implications. Aspects covered include the dark Romantic
predilection for ruins and the sordid, the solitary protagonist and
his quest, nostalgia, the prominence of the spectacle as well as
excessive emotions, and above all, the monster's ambiguity and
rebelliousness. Ahmed highlights each Romantic theme through close
readings of well-known but often overlooked comics, including Enki
Bilal's Monstre tetralogy, Jim O'Barr's The Crow, and Emil Ferris's
My Favorite Thing Is Monsters, as well as the iconic comics Series
Alan Moore's Swamp Thing and Mike Mignola's Hellboy. In blurring
the otherness of the monster, these protagonists retain the
exaggeration and uncontrollability of all monsters while
incorporating Romantic characteristics.
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