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Violent Affect - Literature, Cinema, and Critique after Representation (Paperback)
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Violent Affect - Literature, Cinema, and Critique after Representation (Paperback)
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Violence: most of us would be happy if we never had to experience
it, and many are driven by the belief that nonviolent spaces exist.
In "Violent Affect," however, Marco Abel starts from a different,
potentially controversial assumption: namely that violence is
all-pervasive by ontological necessity. In order to work through
the implications of this provocation, Abel turns to literary and
cinematic works such as those by Don DeLillo, Bret Easton Ellis,
Mary Harron, Patricia Highsmith, the Coen Brothers, and Robert
DeNiro, contending that we do not even know what violent images
are, let alone how they work and what they do. Countering previous
studies of violent images based on representational and,
consequently, moralistic assumptions, which, Abel argues,
inevitably reinforce the very violence they critique, "Violent
Affect" instead turns to the concept of "affect" as a means to
explain how violent images work upon the world. Arguing for what he
calls a "masocritical" approach to violence, Abel's analysis
attends to the affects inherent to violent images with the goal of
momentarily suspending judgment of them, thus allowing for new,
unanswered critical questions about the issue of violence to
emerge. Abel suggests that shifting from representational
understandings of violence toward an account of its affective
forces is a necessary step in developing more ethical tools to
intervene in the world--for acting upon it for the betterment of
the future.
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