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Zimbabwean Transitions - Essays on Zimbabwean Literature in English, Ndebele and Shona (Hardcover)
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Zimbabwean Transitions - Essays on Zimbabwean Literature in English, Ndebele and Shona (Hardcover)
Series: Matatu, 34
Expected to ship within 10 - 15 working days
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This collection of essays on Zimbabwean literature brings together
studies of both Rhodesian and Zimbabwean literature, spanning
different languages and genres. It charts the at times painful
process of the evolution of Rhodesian/ Zimbabwean identities that
was shaped by pre-colonial, colonial and post-colonial realities.
The hybrid nature of the society emerges as different writers
endeavour to make sense of their world. Two essays focus on the
literature of the white settler. The first distils the essence of
white settlers' alienation from the Africa they purport to
civilize, revealing the delusional fixations of the racist mindset
that permeates the discourse of the "white man's burden" in
imperial narratives. The second takes up the theme of alienation
found in settler discourse, showing how the collapse of the white
supremacists' dream when southern African countries gained
independence left many settlers caught up in a profound identity
crisis. Four essays are devoted to Ndebele writing. They focus on
the praise poetry composed for kings Mzilikazi and Lobengula; the
preponderance of historical themes in Ndebele literature; the
dilemma that lies at the heart of the modern Ndebele identity; and
the fossilized views on gender roles found in the works of leading
Ndebele novelists, both female and male. The essays on
English-language writing chart the predominantly negative view of
women found in the fiction of Stanley Nyamfukudza, assess the
destabilization of masculine identities in post-colonial Zimbabwe,
evaluate the complex vision of life and "reality" in Charles
Mungoshi's short stories as exemplified in the tragic isolation of
many of his protagonists, and explore Dambudzo Marechera's
obsession with isolated, threatened individuals in his hitherto
generally neglected dramas. The development of Shona writing is
surveyed in two articles: the first traces its development from its
origins as a colonial educational tool to the more critical works
of the post-1980 independence phase; the second turns the spotlight
on written drama from 1968 when plays seemed divorced from the
everyday realities of people's lives to more recent work which
engages with corruption and the perversion of the moral order. The
volume also includes an illuminating interview with Irene Staunton,
the former publisher of Baobab Books and now of Weaver Press.
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