Sixteenth-century wall paintings in a Buddhist temple in the
Tibetan cultural zone of northwest India are the focus of this
innovative and richly illustrated study. Initially shaped by one
set of religious beliefs, the paintings have since been
reinterpreted and retraced by a later Buddhist community, subsumed
within its religious framework and communal memory. Melissa Kerin
traces the devotional, political, and artistic histories that have
influenced the paintings' production and reception over the
centuries of their use. Her interdisciplinary approach combines art
historical methods with inscriptional translation, ethnographic
documentation, and theoretical inquiry to understand religious
images in context.
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