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Babes in Tomorrowland - Walt Disney and the Making of the American Child, 1930-1960 (Paperback)
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Babes in Tomorrowland - Walt Disney and the Making of the American Child, 1930-1960 (Paperback)
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Linking Margaret Mead to the Mickey Mouse Club and behaviorism to
Bambi, Nicholas Sammond traces a path back to the
early-twentieth-century sources of the normal American child. He
locates the origins of this hypothetical child in the interplay
between developmental science and popular media. In the process, he
shows that the relationship between the media and the child has
long been much more symbiotic than arguments that the child is
irrevocably shaped by the media it consumes would lead one to
believe. Focusing on the products of the Walt Disney company,
Sammond demonstrates that without a vision of a normal American
child and the belief that movies and television either helped or
hindered its development, Disney might never have found its market
niche as the paragon of family entertainment. At the same time,
without media producers such as Disney, representations of the
ideal child would not have circulated as freely in American popular
culture. development was translated into the practice of
child-rearing and how magazines and parenting manuals characterized
the child as the crucible of an ideal American culture. He
chronicles how Walt Disney Productions' greatest creation--the
image of Walt Disney himself--was made to embody evolving ideas of
what was best for the child and for society. Bringing popular
child-rearing manuals, periodicals, advertisements, and mainstream
sociological texts together with the films, tv programs, ancillary
products, and public relations materials of Walt Disney
Productions, Babes in Tomorrowlandreveals a child that was as much
the necessary precursor of popular media as the victim of its
excesses. William Smith Colleges in Geneva, New York. He is the
editor of Steel Chair to the Head: The Pleasure and Pain of
Professional Wrestling, also published by Duke University Press.
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