Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900
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Representing Female Artistic Labour, 1848-1890 - Refining Work for the Middle-Class Woman (Hardcover, New Ed)
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Representing Female Artistic Labour, 1848-1890 - Refining Work for the Middle-Class Woman (Hardcover, New Ed)
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Patricia Zakreski's interdisciplinary study draws on fiction,
prose, painting, and the periodical press to expand and redefine
our understanding of women's relationship to paid work during the
Victorian period. While the idea of 'separate spheres' has largely
gone uncontested by feminist critics studying female labour during
the nineteenth century, Zakreski challenges this distinction by
showing that the divisions between public and private were, in
fact, surprisingly flexible, with homes described as workplaces and
workplaces as homes. By combining art with forms of industrial or
mass production in representations of the respectable woman worker,
writers projected a form of paid creative work that was not
violated or profaned by the public world of the market in which it
was traded. Looking specifically at sewing, art, writing, and
acting, Zakreski shows how these professions increasingly came to
be defined as 'artistic' and thus as suitable professions for
middle-class women, and argues that the supposedly degrading
activity of paid work could be transformed into a refining
experience for women. Rather than consigning working women to the
margins of patriarchal culture, then, her study shows how
representations of creative women, by authors such as Elizabeth
Barrett Browning, Dinah Craik, Charles Dickens, Anthony Trollope,
and Charlotte Yonge, participated in and shaped new forms of
mainstream culture.
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