This book attempts to reinstate the importance of authorial
intention by examining arguments against it from a variety of
sources - American New Criticism, European Structuralism and
various kinds of postmodernist theory. It enlists the aid of
Kantian aesthetics and contemporary philosophy of language and
action, as well as studying the play on intention in the
manipulation of character and action in the work of Shakespeare and
other English writers from 1600 to the present day.
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