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The Phenomenology of Modern Art - Exploding Deleuze, Illuminating Style (Paperback, First Tion ed.)
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The Phenomenology of Modern Art - Exploding Deleuze, Illuminating Style (Paperback, First Tion ed.)
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This is the first sustained phenomenological approach to modern
art, taking a new approach and drawing upon an unusual selection of
thinkers. As a philosophical approach, phenomenology is concerned
with structure in how phenomena are experienced. "The Phenomenology
of Modern Art" uses phenomenological insights to explain the
significance of style in modern art, most notably in Impressionism,
Expressionism, Cezanne and Cubism, Duchampian conceptualism and
abstract art. Paul Crowther explores this thematic in a new way,
addressing specific visual artworks and tendencies in detail and
introducing a new methodology - post-analytic phenomenology. It is
this more critical, post-analytic orientation that allows the book
to utilise some unexpected phenomenological resources. Gilles
Deleuze, rarely associated with phenomenology, in fact employs an
overriding phenomenological orientation in his focus on modern art.
Crowther uses Deleuze's important phenomenological insights as a
starting point and goes on to develop arguments found in two other
thinkers, Nietzsche and Merleau-Ponty, as well as addressing those
figures and tendencies in relation to whom twentieth-century
critical appropriations of Kant have been most influential.
Illustrated throughout, the book offers the first sustained
phenomenological approach to modern art.
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