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Time & Time Again (Hardcover)
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Time & Time Again (Hardcover)
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This book is a visual exploration of Ancestral Pueblo sites at
Chacon Canyon and its extension throughout the San Juan Basin into
the northern reaches of Mesa Verde. Pairing early photographs of
the Chacoan world with contemporary rephotographic images, Goin
sets out to examine how "ruins", which J B Jackson famously wrote
bring a sense of time scale to the landscape, are constructed and
interpreted according to cultural ideas held by archaeologists and
preservationists bound by the limits of their disciplines and sense
of cultural ownership. The book asks, "why save things, and what
should be saved"? Lucy R Lippard's detailed text draws on the vast
literature and ongoing research on the so-called "mysteries" of
Chaco. Conflicting narratives stem from the differing ways time is
measured in different cultures -- astronomically, historically, and
environmentally. The stories that have come down from the many
Native nations that are heirs to the Chaco and Mesa Verde worlds
(Including Keres, Zuni, Tewa, Navajo and Ute) are juxtaposed, like
the photographs, against the "scientific" views of those who
control the sites and the literature today, raising the question of
cultural ownership. Whose story is it to tell? To whom does the
past belong? Time and Time Again offers a kaleidoscopic view,
considering the multiple truths that are known and can be
hypothesised about Chaco and Mesa Verde. The juxtaposition of
historical photographs with contemporary images attempts to go
beneath the surface to investigate the role of time in
archaeological sites, especially those that have been "preserved"
and reconstructed. The idea that two photographs can stop time
without considering the intervening years is intriguing. The
photographs -- primarily from the period of the late 19th century
through the 1930s -- and rephotographed by Peter Goin provide two
arbitrary points, paralleling the equally arbitrary choices made by
historic preservationists working on ancient sites. The
rephotograph shows what has happened but gives no hint about the
interim or causes. Photography and tourism add another layer to the
disjunctions between what is known and what is told. Another factor
is an inquiry into how we measure time in these places --
astronomically, historically, as a narrative of natural change, and
through stories told by generations of Hopi, Navajo, Keres and Tewa
Pueblo people, who are variously heirs to the sites and the
cultures. There is also the question of cultural "ownership". Whose
story is it to tell? Whose ancestors built these structures and
lived there? To whom does the past belong?
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